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Translator
Stephen Ip
Editors
Shawn Sanders Art Director
Kevin P. Croall Yuki Chung
US Cover Design Marketing
Yuki Chung Nicole Curry
Production Manager President
Janice Chang Robin Kuo
How to draw Kung Fu Comics © 2004 ComicsOne Corp.
All rights reserved.
Publisher
ComicsOne Corp.
48531 Warm Springs Blvd., Suite 408
Fremont, CA 94539
www.ComicsO
First Edition: March, 2004
ISBN 1-58899-394-9
Evil is best simulated by combining the fundamental expressive traits of happiness, sorrow and
anger -- Tilt the head, add a smile and frown... and you have wickedness. To create a mood like
this, we need to lower the head, make the eyes thinner, and the eyebrows lower. A sinister smile is
always good too. Go ahead! Show some teeth!
Evil is all about atmosphere, so concentrate on the shadows. Use some well placed “nets” or
crosshatching on the face. Consider far off light sources or deep background shadows.
53
Confidence and determination are prominent
traits for any main character. Press the
eyebrows downward as in a frown, but do
not make the eyes thin. Keep them open
and alert. Add a couple wrinkles between the
eyebrows by drawing "L" shapes. The mouth
can be tipped slightly downward.
Looking up from a lowered face can add
some real confidence. This same expression
can be created from a profile or from a low
angle camera shot.
54
The arm has three main parts: Shoulder, upper arm and forearm.
Make sure that the shoulder muscle is connected to the collar bone,
otherwise your character may end up looking like a robot.
We have simplified the muscle in figure A, dividing
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