探析席勒悲剧美思想.pdfVIP

目 录 中文摘要„„„„„„„„„„„„„„„„„„„„„„„„„„„Ⅰ 英文摘要 „„„„„„„„„„„„„„„„„„„„„„„„„„Ⅱ 前 言„„„„„„„„„„„„„„„„„„„„„„„„„„„1 第一章 席勒美学思想的产生„„„„„„„„„„„„„„„„„„3 第一节 席勒美学思想产生的社会历史背景„„„„„„„„3 第二节 康德美学思想对席勒美学思想的影响„„„„„„„5 第二章 席勒悲剧美学思想探讨„„„„„„„„„„„„„„„„10 第一节 席勒悲剧学说的道德色彩„„„„„„„„„„„ 第二节 席勒的悲剧冲突说„„„„„„„„„„„„„„15 第三节 悲剧与崇高„„„„„„„„„„„„„„„„„19 第三章 席勒悲剧观的历史意义„„„„„„„„„„„„„„„„27 第一节 席勒悲剧理论的超越性质„„„„„„„„„„„27 第二节 席勒的悲剧观反映了历史的进步„„„„„„„„30 参考文献„„„„„„„„„„„„„„„„„„„„„„„„„„„37 后 记„„„„„„„„„„„„„„„„„„„„„„„„„„„38 攻读学位期间发表的学术论文„„„„„„„„„„„„„„„„„„39 I 中文摘要 悲剧，是崇高的诗，它有一种美，一种冷峻而又壮丽的美。作为一种美的形 态，悲剧是美学的一个重要范畴，研究席勒的美学思想，必然要研究他的悲剧美 学思想。 本文整体上分为三个章节。第一章，介绍席勒美学思想产生的社会背景和理 论渊源，从而理解席勒美学思想形成的条件。第二章，全文的重点所在，具体探 讨分析席勒的悲剧美学思想。其中分三个部分进行阐述，首先，突出强调席勒悲 剧观中最显著的特色，就是道德色彩浓重,强调突出道德理性法则的优势。席勒 继承了康德的以意志自由为核心的人类学本体论哲学思想，并以此建构了自己的 道德主义悲剧观。他认为: 悲剧是表现道德的目的性与自然的或道德的反目的性 的冲突,是通过痛苦使人获得道德快感的美学范畴；它是崇高,特别是道德崇高的 集中表现。因此,悲剧的人类学功能就在于,通过激烈的目的性与反目的性的冲突 使人的道德本性得到表现和高扬,从而使人性完全实现。由此过渡到第二部分， 转而论述他的悲剧矛盾冲突观点，席勒首次把矛盾冲突的观点应用于悲剧理论, 是黑格尔悲剧冲突说的先声。并结合他的戏剧作品《阴谋与爱情》分析矛盾冲突 观点的运用。席勒的悲剧观富有启发性,但也存在把悲剧冲突说作为概括和包容 全部悲剧现象的完善理论、把问题过分绝对化等方面的不足。第三部分，叙述了 席勒在西方美学史上第一次把悲剧性与崇高性在道德激情的基础上联系起来,把 悲剧性看作崇高的集中表现,超越了以往的悲剧理论。最后一章，评述了席勒悲 剧观的历史意义。作为一个以悲剧为主要创作体裁的世界大师级的戏剧家,席勒 关于悲剧的理论在西方戏剧理论史乃至世界戏剧理论史上无疑是举足轻重的。席 勒的悲剧观是在克服当时德国文坛存在的问题的过程中形成的,他带有浓厚道德 主义色彩的悲剧观具有一定的历史意义。 关键词：席勒；悲剧；冲突；道德的目的性；崇高 II Abstract As a lofty poetry, tragedy possesses a kind of beauty, which is solemn and magnificent. As a form of beauty, the tragedy is an important category of esthetics. It is necessary to study the tragedy of Schillers aesthetic ideas when we carry research on his esthetic ideas . This paper is divided into