翻译长沙窑遗址谭家坡龙窑展览大纲要点.docVIP

长沙窑遗址谭家坡龙窑展览大纲 The Exhibition Syllabus of Tanjiapo’s Dragon Kiln of Changsha Kiln Relics 谭家坡龙窑 Tanjiapo’s Dragon Kiln 湖南省博物馆 2011年12月 Hunan Provincial Museum December, 2011 目录 Catalogue 一、展览思路 4 Ι. The Thinking of the Exhibition 二、展览路线 4 П. The Route of the Exhibition 三、展陈手段 5 Ш. The Ways of the Exhibition 四、展览特色 5 Ι?. The Characteristics of the Exhibition 五、展览意义 5 ?. The Significance of the Exhibition 六、展览结构 6 ?Ι. The Structure of the Exhibition （一）遗址公园入口 6 1. The Entrance of the Site Park 1、窑区遗迹分布图. 6 1) The Layout Plan of the Kiln Relics （二）谭家坡龙窑展区 8 2. The Exhibition Area of Tanjiapo Dragon Kiln 1、序厅 8 1).The Lobby （1）展标 8 a. Exhibits Marks （2）沙盘模型 8 b. Sandbox Model （3）前言 8 c. Preface 2、制瓷作坊区 8 2). The Workshop Area of Porcelain Making （1）制坯区 8 a. Adobe Making Area （2）施彩上釉区 12 b. Colouring and Glazing Area （3）满窑开窑区 13 c. Kiln Filling and Opening Area （4）废品处理区 13 d. Waste Dispose Area 3、谭家坡龙窑 14 3). Tanjiapo Dragon Kiln （1）窑炉结构 14 a. Kiln Structure （2）烧造过程 15b. b. Making Process （3）辅助展示资料 17 c. Auxiliary Exhibiting Information 4、尾厅 20 d. Tail Hall （三）遗迹文化层剖面墙 20 3. Cultural Profile Wall of Relics Culture （四）陈家坪遗迹展区 20 4.Chengjiaping Relics Exhibition 展览思路 Ι.The Thinking of the Exhibition 长沙窑遗址谭家坡龙窑陈列与长沙窑博物馆陈列应视为一个有机统一的整体，互相呼应，互为补充。两个陈列的展示主体不同，决定了其展览内容和侧重点的不同。长沙窑博物馆就像一座艺术殿堂，以长沙窑器物为展示主体，重点展现长沙窑的历史性、艺术性和文化内涵；而谭家坡龙窑作为长沙窑的一个“生产车间”，则需要以龙窑及作坊遗迹为展示主体，重点展现长沙窑瓷器的生产过程。该陈列在策展思路上包含四个层次：一是保持遗迹原貌，在尽量少干预的原则下，对遗迹进行展示；二是充分运用历次考古发掘成果和当前科研成果对遗迹进行诠释，并通过图片和视频展示考古发掘过程；三在充分诠释遗迹的基础上对其进行历史信息的重构；四是通过遗迹复原让观众去体验和感悟。 The Exhibition of Tanjiapo’s Dragon Kiln of Changsha Kiln Relics and the Exhibition of Changsha Kiln Museum should be considered as an organic unity; they complement to each other. The subjects of the two exhibitions are different so their exhibits and focuses differ accordingly. Changsha Kiln implements as the main exhibits show, Changsha Kiln Museum is just like an art palace, whi