《Design Workshop Futurismo e Metafisica》.ppt

* * It depicts an outdoor architectural setting similar to other works by de Chirico at this time. This time however, the main focus is a small wall on which is mounted a Greek sculpted head and a surgeon's glove. Below it is a green ball. On the horizon is the outline of a locomotive, an image that recurs several times during this period of de Chirico's career. * Le Muse inquietanti A truly immortal work of art can only be born through revelation (De Chirico) As the arcades also lay-figures are incomplete * the world of appearances of objects does not come to its authentic reality if not in conspectu aeternitatis, that is in the form of a metaphysical allegory of his physical reality, which is nothing more than an accident offered by chance to the perception of our senses (Carrà) In my paintings, I tried to create a synthesis of forms that had overtones of the metaphysical character, as if reality was perceived in meditation or in dreams (Carrà) the painting represents an urban landscape, the box with the map in relief and the target, the large multi-colored prism, the enigmatic figure of the tennis player, whose appearance ranges from the ancient statue and the lay-figure * Giorgio De Chirico, The Disquieting Muses, 1916 Carlo Carra?, The Metaphysical Muse, 1917 Giovanni Muzio, Palazzo dell'Arte (Triennale), Milano 1933 Piero Portaluppi, Enrico Griffini, Pier Giulio Magistretti, Giovanni Muzio, Palazzo dell’Arengatio, Milano 1936-1956 Piero Portaluppi, Enrico Griffini, Pier Giulio Magistretti, Giovanni Muzio, Palazzo dell’Arengatio, Milano 1936-1956 Piero Portaluppi, Edificio in Corso di Porta Venezia, Milano 1930 Piero Portaluppi, Villa Necchi Campiglio, Milano 1935 Piero Portaluppi, Villa Necchi Campiglio, Milano 1935 Piero Portaluppi, Villa Necchi Campiglio, Milano 1935 Grazie 谢谢! luca.guerrini@polimi.it * * * * * * * * * * * * * * * * * * * * * There is a strong feeling of loneliness and nostalgia. There is something missing To accurate to be real. Distorted