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- 2016-10-20 发布于河南
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韩国流行文化:沉浮的十年
韩国流行文化:沉浮的十年
Jin-Young Kim and Jong Oh Lee
Hankuk University of Foreign Studies, 107 Imun-ro, Dongdaemun-gu,
130-791, Seoul, Korea
staci21@, santon@
Abstract
Korean pop culture or hallyu (the Korean Wave) refers to the phenomenon of Korean
entertainment and popular culture causing a great sensation in the world with pop music, TV
dramas, and movies. Over the last decade, Korea emerged as a new center for the production
of transnational pop culture. However, an anti-hallyu movement is often rising in some parts
of the world. In this regard, this study suggests that we should look back on the decade by
analyzing the backlashes and achievement of hallyu to develop concrete ideas on how to
consistently develop it. In order to do so, it is essential for the government to contribute to the
progress of cultural exchange with countries where Korean pop culture is making inroads.
Keywords: Korean pop culture, the Korean wave, hallyu, anti-hallyu, entertainment
business, K-pop, Korean drama
1. Introduction
Numerous popular cultural contents have been introduced to international markets since
‘Winter Sonata’ which brought sensational popularity of Korean dramas in early 2000s.
Having astronomical economic value, hallyu
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or Korean pop culture has made the
unprecedented diplomatic achievements in history and has lifted the national brand of Korea
for the past decade. However, there are some problems behind the glory of hallyu or called
the Korean wave. As seen in conflicts between JYJ and SM Entertainment, crooked profit-sharing structure between stars and entertainment companies and the issue of unequal contract
so to speak slave contract often make legal disputes as more and more stars go overseas and
the profit scale of related fields is growing enormously. Additionally, poor production
environments in broadcasting and movie industry
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