中世纪与文艺复兴时期音乐(英文).pptVIP

Medieval and Renaissance Instrumental Music Medieval “Music of the Middle Ages” Medieval Dance MusicEstampie Stamping Dance - People stand in a circle holding hands Made up of several sections, each section is played twice, the first with an open ending and the second with a close ending Salterello A fast Italian dance in either triple time or 6/8 or 12/8 with a hopping or jumping rhythm In the 16th Century it was performed after the passamezzo to create a contrasting pair Renaissance “Rebirth” or “Revival” Renaissance Dance Music Basse Dance * Pavan * Galliard *Passamezzo Salterello Branle Volta Pavan A 16th Century Court Dance 2 or 4 beat time Slow and Majestic Galliard A lively spirited 16th Century court dance Exaggerated leaps and nimble footwork In triple or compound time Use of the *hemiola Passamezzo These are early ground bass. There are two versions of this dance. Passamezzo Moderna Hemiola A composer may make a couple of bars of music in a 3/4 piece sound like they are in 2/4 using ties. Look at the example below: Tierce de Picardie ( Picardy Third) In some pieces in a minor key, the final tonic chord is a major chord. The unexpected major 3rd in the final chord Listen to the end of the phrases in Coventry Carol on the next slide as a good example Coventry Carol1. Lullay, Thou little tiny Child,By, by, lully, lullay.Lullay, Thou little tiny Child.By, by, lully, lullay.2. O sisters, too, how may we do,For to preserve this day;This poor Youngling for whom we sing,By, by, lully, lullay.3. Herod the King, in his raging,Charged he hath this day;His men of might, in his own sight,All children young, to slay.4. Then woe is me, poor Child, for Thee,And ever mourn and say;For Thy parting, nor say nor sing,By, by, lully, lullay. * “La Quinte Estampie Real” (The Fifth Royal Estampie) “Istampita Palamento” Byrd, Bull and Gibbons composed these for keyboard 2 Left single forward | 2 Right sin