米开朗琪罗作品WorksofMichelangelo详解.pptxVIP

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Michelangelostrength,beautyandsorrowThroughouttheMiddleAges,painterswereconsideredskilledcraftsworkersonalevelwithgoldsmiths,carpenters,andothertradespeople.Bythemid–16thcentury,incontrast,Michelangelocouldclaimthat“inItalygreatprincesassucharenotheldinhonororrenown;itisapainterthattheycalldivine.”Fromanonymouscraftsworkerstodivinelytalentedindividualsmorehonoredandrenownedthanprinces—whathadhappened?RenaissancehumanistsheldthathumankindwasnotworthlessintheeyesofGod,astheChurchhadtaughtduringtheMiddleAges.Rather,humankindwasGod’sfinestandmostperfectcreation.ReasonandcreativitywereGod’sgifts,proofofhumankind’sinherent(与生俱来的)dignity.People’sobligation(义务)toGodwasnottotrembleandsubmitbut,rather,tosoar,strivingtorealizetheirfullintellectualandcreativepotential.(奋发向上,努力实现自己全部的智力和创造潜能)First,ItalyhadbeenamongthefirstareastorecovereconomicallyfromthechaosoftheearlyMiddleAges.Thecity-stateswaswealthy,independent,andfiercelycompetitive,theywouldviewithoneanothertoengagethefinestartists.TheChurch,alsoanimportantpatronofthearts,wascenteredinItalyaswell.HumanismarosefirstinItaly,anditwasinItalythatthefirstuniversitypositioninGreekstudieswasestablished.Finally,ItalianshadlonglivedamidtheruinsofancientRome,andtheyviewedthemselvesasthedirectdescendantsoftheearliercivilization.Thepursuitofbeautymadepainting,sculpture,andarchitectureasintellectualactivitiesalliedwithmathematics,science,andpoetry.Artistswerenolongercraftsworkers,butlearnedpersonswhosecreativepowerswereviewedasalmostmiraculous(不可思议的).Thegreatestartistswereconsideredabreedapart(与众不同的人),formingaclassofpeoplerespectednotbecauseofwhotheywerebutbecauseofwhattheycoulddo.Theterm“Renaissanceman”isappliedtosomeonewhoisverywellinformedabout,orverygoodatdoing,manydifferent,oftenquiteunrelatedthings.SeveraloftheleadingfiguresoftheRenaissancewereartisticjacks-of-all-trades(通才).Michelangelowasapainter,sculptor,poet,architect.Leonardowasapainter,inventor,sculptor,architect,engineer,scientist,musician,andall-roundintellectual.Inourage

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