《青鹤》杂志中遗民作家作品研究硕士学位论文.docVIP

《青鹤》杂志中遗民作家研究 摘 要 上个世纪，五四新文化运动轰轰烈烈开展起来之后，在20世纪的20、30年代，学者们开始重建中国的传统文化。虽然占据当时中国思想话语权的主导仍旧是“新文化派”，从而对传统的国学造成了严重的损伤，几乎被逼到被国人们所唾弃与遗忘的历史尘埃中。然而，一群热爱国学的文人墨客以及执着于中国的传统文化，仍旧把它当做振兴民族、拯救国家的重要法宝，并真诚地呼唤“魂兮归来”。《青鹤》正是在这样的环境背景下诞生了。在总编辑陈灨一的领导下，《青鹤》在上个世纪的30年代问世。在它的旗下，拥有105位同人作家学者为刊物撰稿。这本杂志也是持续时间较久的一类文史期刊,是当时遗民作家们共同的文学理念、创作以及取得文学成就的主要阵地。它在保留民初遗民的文学论著以及学术研究方法等方面有着极为重要的参考价值。 本论文关注的课题是《青鹤》杂志中遗民作家，从起终历程、内容与文学流派等方面对该杂志进行整体性研究，同时，选取孙德谦、潘飞声与黄节等几位具体代表性的遗民作家展开详实的研究，分析他们处于国学背景下的文学思想及其作品特点，在此基础上分析《青鹤》中遗民创作及思想与五四新文学的矛盾和关联，发现它们在文体样式上既有坚守，也与新文学式样存在着直接矛盾，思想上有承传，也和新文化思想存在着间接关联。同时，它也填补了新文学的价值上的空白。 关键词：青鹤，杂志，遗民作家，作品 Abstract In the last century, five four new culture movement, after the beginning of the twentieth Century, 20, 30, scholars began to rebuild Chinas traditional culture. Although occupy the then dominant ideological discourse right in China is still new culture school, thus to traditional Chinese culture caused serious damage, almost forced to be spurned by the people and forgetting the dust of history. However, a group of love Chinese literati and persistent in the traditional culture of China, still think of it as to revitalize the nation, save the country an important magic weapon, and sincerely call the return of the soul. Blue Crane is born in such an environment. Under the leadership of the chief editor of the Chen Ganyi, Blue Crane in the 30s of the last century. In its flag, with 105 people from the writers and scholars for the publication of the journal. The magazine also continued for a long time a kind of literary and historical periodicals, was the adherents writers common literature idea, creation and literary achievements of the main positions. It retains adherents literature and academic research method has a very important reference value. This paper is concerned with the topic is green crane magazine adherents writers, from the final process, content and literary schools, such as the magazine of overall research, at the same time, select sun Deqian, pan feisheng an