论装饰画的立意和表现手法 研究汇总.docVIP

铜陵职业技术学院2014届广告与会展设计专业 毕 业 设 计 课题名称：论装饰画的立意和表现手法 指导老师： 学生班级： 11广告与会展 学 号： 姓 名： 安徽铜陵职业技术学院艺术传媒系 二O一三年 十月 摘 要 装饰画是一种起源于战国时期的帛画艺术，并不强调很高的艺术性，但非常讲究与环境的协调和美化效果的特殊艺术类型作品。一般分为具象题材、意象题材、抽象题材和综合题材等等。装饰画装饰画顾名思义就是起修饰美化作用的画作。常被装点于建筑物表面，赋予周围环境以相应的艺术气息，使得环境变得美观得体。它被广泛运用于家庭、酒店和办公场所的装修搭配。由此按照心中的所想、所感、所悟绘画了一幅具有色彩强烈对比鲜明的装饰画。突出表现其艺术特点。我给它命名为《余辉下的校园》。（见附录图1-1）　　　 [关键词] 装饰画 装饰 艺术表现 创新 目 录 第一章 装饰画概念、特征及种类 1.1 装饰画的概念·············································4 1.2 装饰画的特点·············································4 1.3 装饰画的种类·············································4 第二章 装饰画的立意和表现手法 2.1 装饰画历史演变···········································5 2.2 装饰画的色彩·············································5 2.3 装饰画的立意·············································6 2.4 装饰画的表现手法·········································6 第三章 装饰画的绘制特点 3.1 水粉做装饰画··············································9 3.2 丙烯材料作装饰画··········································9 3.3 高丽纸作装饰画············································9 3.4 电脑设计装饰画············································9 第四章 装饰画的设计流程 4.1 装饰画的设计构成条件······································10 4.2 装饰画的设计构思··········································10 结束语····························································11 致谢······························································12 参考文献··························································13 附录······························································14 第一章 装饰画的概念、特征、及种类 1.1 装饰画的概念　　 装饰是指对建筑物或室内按照一定的思路和风格进行美化的一种活动或行业。而装饰画顾名思义就是起修饰美化作用的画作。常被装点于建筑物表面、赋予周围环境以相应的艺术气息、使得环境变得美观得体、并被广泛运用于家庭、酒店和办公场所的装修搭配。其起源可以追潮到新石器时代的彩陶器身上的装饰性纹样、如动物纹、人纹、几何纹、都是经过夸张变形、高度提炼的图形。 1.2 装饰画的特点 1.适应性：装饰画是为一定适用目的和使用要求而创作的。 2.工艺性：它是和工艺材料、工艺手段结合来表现的。装饰品画受加工手段和材料的制约是它的工艺性。 3.装饰性：运用夸张、变形、概括和修饰的