《中国现代革命历史叙事的转变.docVIP

从《红旗谱》到《白鹿原》 ——论中国现代革命历史叙事的转型 中国语言文化学院 汉语言（涉外文秘） 孔莉姮 指导老师：刘小平 [摘要] 梁斌的《红旗谱》和陈忠实的《白鹿原》是中国现代革命历史小说在20世纪50-60年代和90年代的两座创作高峰。结合20世纪中国文化语境进行考察，我们可以发现中国现代革命历史叙事转型的基本轨迹和主要特征：一是在叙事立场上，从主流的中共党史的叙事立场转向关注特定地域的民情风俗及个体生命过程的民间叙事立场；二是在叙事时间观上，从“革命从胜利走向胜利”的进化史观转向“中性立场”的循环史观；三是在文化意识上，从阶级决定论转向文化决定论。这种叙事转型与当代中国政治、社会、文化思潮的变迁紧密相联，无论是在主流意识形态指导下对革命进行圣洁化的叙事，还是在民间意识形态影响下企图还原革命本来面目的叙事，其实都不可能真实而全面地反映中国革命历史的实际过程，它们只是在不同的文化思潮背景下，作家根据不同的评判标准写出的自己心中的革命面貌，从而形成了中国现代革命历史小说的两种叙事模式。 [关键词] 现代革命历史小说　叙事转型　叙事立场　叙事时间观　文化意识 From A Ancestry of the Red Flag to the White Deer Plaint ---of Transformation to Narrate China’s Modern Revolutionary History Abstract：This paper, under the background of China’s 20th century’s culture situation, is trying to dwell on the comparison between A Ancestry of the Red Flag and The White Deer Plaint, two famous and typical masterpieces with the theme of China’s modern revolutionary history, so as to expatiate on the changes to narrate China’s history of modern revolutions. Generally speaking, those changes can be concluded by three points---from the narrative position about the history of CPC to the customs and situation of certain places and the life-process of the folk people; from the historical view of evolution—from victory to victory, to the neutral historical view of circulation; from class-determinism to culture-determinism. The transformations are natural transition caused by the evolvement and influence of cultural thoughts. Whether writers narrate the history of revolutions in an admiring perspective with the mainstream ideology or revert to its true appearance with the folk ideology, they both are not able to reveal the exact and true process of the history, for the two ways of narrating are formed in different culture thoughts---the writers demonstrate the appearance of the revolution with their own evaluation standards, rendering two different modes to narrate the modern China’s revolutionary history. Key words：novel of modern revolutionary history; transi