聊齋女性文化观外文翻译.docVIP

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聊齋女性文化观外文翻译

译文: 好狐狸,坏狐狸 霍佳颖.今日中国[J].2007,(10) 在中国两千多年的寓言中,狐狸一直是受欢迎的角色。她们第一次出现在她们的原型形成之前,既仁慈又恶毒,通过伪装成妖艳、迷人的年轻女子来逐步摄取人们的灵魂。 明代(1368 - 1644)著名作家蒲松龄她遵循同样的策略当然最终赢回了丈夫忠贞的爱情1000年前唐代(618- 907)著名作家和诗人骆宾王楚令尹昭奚恤,真是这样群兽的领袖昭奚恤昭奚恤随后国王稀释赵国的军事力量狐皮被视为唯一适合贵族服饰说文解字(解释和研究字符组成的原则),中国第一部字典,100年到121年的东汉时期,一个迷人的动物被魔鬼缠身Good fox, Bad fox Hou Jiaying. China Today, Oct2007, Vol. 56 Issue 10, p62-66 Foxes have been popular characters in Chinese fables for two millennia. They first featured in their original animal form before gradually taking on the persona of spirits, both benevolent and malevolent, in the guise of bewitchingly beautiful, charming young women. Famous Ming Dynasty (1368-1644) writer Pu Songling’s stories about fox spirits in his well-known Strange Tales from Make-do Studio characterize them as beautiful creatures that embody the nest human virtues of fidelity, love, generosity, justice, and willingness to help others. Over the past three centuries, readers of Pu Songling’s work have come to refer to these characters as “fox angels” rather than “fox spirits.” Ma Ruifang, Chinese scholar and expert on the Strange Tales from Makedo Studio, once acted as host to a visiting American professor from Chicago University. When the two spoke of Pu Songling’s works the professor expressed his amazement at how this 17th-century Chinese writer from feudal, isolated, imperial China could have dreamt up the story Hengniang, one of the 500 Strange Tales’ most famous foxy stories. Its implicit advice to wives that they should employ feminine wiles to ensure their spouses’ passion strongly resembled the counsel dispensed on the lonely hearts pages of American newspapers and magazines of the 1980s. Women of the Dream World Hengniang’s plot is the classic husband, wife and mistress love triangle. Hengniang is a benign fox spirit and wife of a mortal. Her neighbor, Hong Daye, has a wife, Zhu, and a concubine. Zhu is more beautiful, and only a few years older than the concubine but, to Zhu’s consternation,

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