Dutchman1964 by Leroi JonesAmiri Baraka1964由荷兰人琼斯阿米里勒鲁瓦巴拉卡.pptx

Dutchman (1964)byLeroi Jones (Amiri Baraka) Part I of I Amiri Baraka (1934- )born Leroi JonesBohemian, Black Power Advocate, Communist Preface to a Twenty Volume Suicide Note, poems, 1961 Blues People: Black People in White America, 1963 Dutchman and the Slavedrama, 1964 The system of Dante’s hell, novel, 1965 Home: Social Essays, 1965 A Black Mass (1966 Tales, 1967 Black Magic, poems, 1969 Four Black Revolutionary Plays, 1969 Slave Ship, 1970 Its Nation Time, poems, 1970 Raise Race Rays Raize: Essays Since 1965, 1971 Hard Facts, poems, 1975 The Motion of History and Other Plays, 1978 Poetry for the Advanced, 1979 reggae or not!, 1981 Daggers and Javelins: Essays 1974-1979, 1984 The Autobiography of LeRoi Jones/Amiri Baraka, 1984 The Music: Reflections on Jazz and Blues, 1987 Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones, 1995 Wise, Why’s Y’s, essays, 1995 Funk Lore: New Poems, 1996. Somebody Blew Up America, 2001 The Book of Monk, 2005 Tales of the Out the Gone, 2006 Billy Harper: Blueprints of Jazz, Volume 2, Audio CD, 2008 Ancient Music The Black Arts Movement and The Black Power Movement“Black is Beautiful” The Black Arts Movement can be said to be the cultural wing of the Black Power Movement. This movement, in line with the Civil Rights Movement of which it is a part, sought to transform the way African-Americans were treated and defined in the U.S. African American writers and artists, a vital sector of the Civil Rights and Black Power Movements, sought o transform the manner in which black Americans were portrayed in literature and the arts. In accord with their definition of themselves as participants in a movement, African American writers turned to the African American masses for their inspiration and defined their goals in broadly collective social and political terms. Their objective was to create works that would be—in the words of Maulana Karanaga—”functional, collective, and committing.” Hence, the Black Arts of t