浅析中国画竹艺术.docVIP

目录 摘要（中文）…………………………………………………………………………2 摘要（英文）…………………………………………………………………………3 前言……………………………………………………………………………………4 一、竹子的生长特征……………………………………………………………… 5 二、文同画竹…………………………………………………………………………6 三、苏轼“画竹必先成竹于胸”……………………………………………………8 四、元代画竹之风……………………………………………………………………9 五、郑板桥画竹………………………………………………………………………11 六、传承与发展………………………………………………………………………13 结论 ……………………………………………………………………………… 16 参考文献 ……………………………………………………………………………17 后记 …………………………………………………………………………………18 摘 要 我国的画竹艺术，历史悠久，自三国、晋开始，及至南北朝隋唐五代逐渐发展，经两宋的提倡，在画竹的艺术创作技法和理论探讨上，都积累了不少经验。唐以前多着重对竹的生机形态自然美的表现，形式上多钩勒着色。两宋以后还盛行墨竹，文苏提倡“画竹必先得成竹于胸中”，是以景促情，借景抒情，重作者的感受和表现。在表现形式上，形成为工笔，写意或兼工带写，不过南宋以后更偏重墨竹艺术的发展。以下就其艺术特点略述个人的看法。 关键词：竹子 文同 苏轼 郑板桥 Abstract Chinas painting bamboo art, has a long history, since The Three Kingdoms, jin, and when the sui and tang dynasties and the northern and southern dynasties began five generations, and the two develop gradually to the promotion of the song dynasty, in the artistic creation draw bamboo skill and theoretical study, all have accumulated much experience. Before tang many focuses on the life form of bamboo natural beauty, form, more performance hook color. Two after the song dynasty in MoZhu, wen also Sue advocate painting bamboo will first get into bamboo in breast, is promoting the love scene, which the authors feel heavy feelings, and the performance. In performance forms, forms for Chinese painting freehand brushwork in traditional Chinese painting, or write, but with work and southern song dynasty more emphasis on MoZhu after the development of the arts. Under its artistic features outline the individual opinion. Keywords: bamboo WenTong SuShi ZhengBanQiao 前言 竹子，四季常青，挺拔秀丽，色彩缤纷，千姿百态。历来都有名家大士描写竹子，留下了大量的竹画和咏竹诗。中国人最早的竹子情结大约是从魏晋时期开始的，据陈寅恪先生的研究，这大概与当时人对天师道的信仰有关。到了后来，春联中常有“竹报平安”的话语来企迎吉祥，于是竹子就从一种文化意象演变成了一种民俗的意象。 代表人物有王维、吴道子、文同、赵孟頫、管道升、倪瓒、李衎、吴镇、柯九思、王绂、夏昶、苏轼、高克恭、石涛、郑板桥、李方膺、金农、李鱓、蒲华、吴昌硕、丰子恺、黄宾虹、徐悲鸿、齐白石、潘天寿、李苦禅、霍春阳等。 竹子的生长特征 竹子，四季常青，挺拔秀丽，色彩缤纷，千姿百态。凤尾竹，枝叶挺秀细长；琴丝竹，在金黄色的枝干上镶有碧绿的线条；湘妃竹，枝干上生有花斑，青秀婀娜；斑叶苦竹，在叶片上生有斑白图案；紫竹