郑板桥.docVIP

浅析郑板桥的绘画艺术风格 院 系： 专 业： 班 级： 姓 名： 学 号： 指导教师： 年月摘要 本文由郑板桥其人切入，由其性格中的“怪”“真”“趣”来阐述其画作风格形成的性格原因。又介绍了其画作常选意象“兰”“竹”“石”，选择了经典作品进行赏析，进一步探讨了其绘画风格。因为中国古画诗书画不分家的特点，又对郑板桥的书法和诗作进行剖析，研究其书与画，诗与画之间的关系，其书法为融合篆隶楷行的“六分半书”，诗作则寄情抒怀，与画相得益彰，从而看出郑板桥诗书画融为一体的创作体系。而形成这样体系的原因则是因为郑板桥“外师造化，中得心源”的绘画思想，和其重视事物发展规律，崇尚天性，关心民情，有足够的思想深度。其中比较重要的理论就是郑板桥的画竹三段论。而且郑板桥一生研究儒释道的思想理论，融合三家哲学理论，逐渐形成自己的理论体系，师从古法又跳出桎梏，从而使自己的画作成为了“千秋不变之画”。 关键词：外师造化 中得心源 画竹三段论 诗书画三绝 Abstract In this paper, the man cut by the Banqiao , its character of strange , true , fun to explain the reasons for his painting style character formation . Has introduced its paintings often choose Image blue , bamboo , stone , select appreciation of classic works to further explore their painting style . Because Chinese poetry and painting paintings , regardless of family characteristics, but also on the Banqiao calligraphy and poems to analyze , study the relationship between their books and paintings, between poetry and painting , calligraphy fusion Zhuanli Kai row Six and a half books lyric poetry is always focussed , and painting each other, and thus see the creative integration of poetry and painting Banqiao system . The reason for the formation of such a system is because Banqiao nature outside the heart as the source , the painting ideas, and its emphasis on the law of development of things , advocating nature , caring people, there is enough depth of thought . One of the more important theory is Banqiao Huazhu syllogism . And the ideological and theoretical study of Zheng Banqiao life Taoism , the integration of the three philosophical theories , and gradually formed its own theoretical system, under the tutelage of ancient and out of the shackles , so that his paintings became Chiaki constant painting .Keywords : nature outside the heart as the source Huazhu syllogism poetry and painting Ruin 目录 摘要 2 Abstract 3 绪论 5 1. 郑板桥其人：“三绝诗书画，一官归去来。” 6 1.1怪 6 1.2真 7 1.3趣 7 2. 郑板桥绘画中的竹与