歌剧《阿尔切斯特》咏叹调《冥河死神们》音乐及演唱分析.pdfVIP

万方数据 中文摘要 I 中文摘要 17 世纪末，歌唱家们为了赢得观众的喝彩，频繁地使用装饰性极多的花腔演唱；作曲 家为了迎合歌唱家和观众的需求，创作了许多缺乏内容、缺乏价值的作品，导致了歌剧逐 渐发展为无休止的华彩和装饰音。 18 世纪，正歌剧逐渐衰落，伴随着歌唱家台风的日趋恶化，遭到了观众的普遍反感。 意大利喜歌剧兴起。正是在这个时候，以格鲁克为代表的改革派拉开了歌剧改革的序幕。 格鲁克歌剧改革的最终目的是：音乐必须要为诗歌服务，要为剧情的发展而服务。为此他 要把意大利正歌剧中浮夸、拖沓等弊端全部去除。 《阿尔切斯特》是格鲁克的第二部改革歌剧，其最大的特点在于整部歌剧的剧情都在 构思紧密的音乐中逐步展开，戏剧冲突也更加强烈。本文从格鲁克的歌剧改革出发，以女 主角阿尔切斯特在第一幕十五场的咏叹调《冥河的死神们》为主要研究对象，研析歌曲的 创作背景、创作手法以及演唱分析。 关键词：格鲁克；歌剧改革；《冥河的死神们》；演唱分析 万方数据 南京艺术学院硕士学位论文 II Abstract The 17 th century,the singer to win the audiences applause,frequent use of decorative much coloratura singing;Composer to cater to the needs of the singers and the audience,created many lack of content,the lack of a value works,caused the opera grew into the endless huacai and grace note. In the 18 th century Italian comic opera, opera seria gradually decline,with the singers stage demeanor is getting worse,was generally disliked by the audience. During this time,represented by lattice,Gluck reformist pull open the prelude of opera reform. Glucks ultimate goal of opera reform is:music must serve for poetry,to service for the development of the plot.So he put Italian opera,defects such as removing all grandiose and procrastination. “Alceste”is Glucks second reform opera,its biggest characteristic is that the design of the whole opera plot are gradually unfolded in the conception closely music,dramatic conflict is more intense.This article embarks from Glucks opera reform to the heroine Alceste in the aria of the frist act of the 15“The river Styxs death” as the main object of study ,researchand analysis of the creation background,writing techniques and singing. Keywords:Gluck,Opera reform,“The river Styxs death”, Analysis of singing 万方数据 目录 III 目 录 中文摘要 ........................................................................................................................ I Abstract ..................................................................................................