讲座：电影中的场面调度探索.pptVIP

电影镜头语言赏析——从场面调度的角度;场面调度;场面调度的功能;;David Bordwell Kristin Thompson (Film Art: An Introduction)： 场面调度的四大项目--布景；服装；灯光；演出 Louis Giannetti (Understanding Movies): 镜框；构图和设计；区域关系；距离关系；开放和封闭的形式 Andrew Lynn (Appreciating Cinema): 布景；取景；照明；象征/母题；服装；化妆和道具 景；景与人的关系；灯光;1. 景（setting）;卡里加利博士的小屋（1919）;一代宗师;;封闭;2.景与人的关系;镜子：真实和虚幻;Saving Face;金鱼和螃蟹（verbal image）两个母题是电影隐喻结构的重要组成，代表传统文化对人的压制和人对传统文化的反抗。;薇的妈妈出现在远离镜头（观众）背景中，身影渺小，与前景的薇形成对比，显得无助、无力。两扇门把她紧紧地限制在一个狭小的空间。;;片段2: shining;;3. 灯光;三点布光法 主光，轮廓光，辅助光;强度;;;;片段4，5：面子;质感;;对比度: 低反差/高反差布光;;;;;1. Dominant. Where is our eye attracted first? Why? 2. Lighting key. High key? Low key? High contrast? Some combination of these? 3. Shot and camera proxemics (空间关系). What type of shot? How far away is the camera from the action? 4. Angle. Are we (and the camera) looking up or down on the subject? Or is the camera neutral (eye level)? 5. Color values. What is the dominant color? Are there contrasting foils? Is there color symbolism? 6. Lens/filter/stock. How do these distort or comment on the photographed materials? 7. Subsidiary contrasts. What are the main eye-stops after taking in the dominant? 8. Density. How much visual information is packed into the image? Is the texture stark, moderate, or highly detailed? ;一个貌似简单的画面往往包含丰富的信息。 把自己观影者的位置调整到电影制造者的角度，可以更好地看到调度如何产生意义。 对相关画面的解读和欣赏体现观影者的成熟程度。 ;参考书籍