湖南鸮形铜卣的艺术形式及文化内涵.PDFVIP

第 8 卷 第 2 期 包 装 学 报 Vol.8 No.2 2016 年 4 月 Packaging Journal April 2016 doi:10.3969/j.issn.1674-7100.2016.02.016 湖南鸮形铜卣的艺术形式及文化内涵 吴 卫，周少卓 （湖南工业大学包装设计艺术学院，湖南株洲 412007） 摘 要：湖南省娄底市双峰县出土的商代青铜酒器鸮形铜卣是商代中晚期祭祀礼器，其通过对称的处理 手法烘托出凝重高古的宗教气息，运用写意的方法简练概括地塑造了“神鸟”形象，采取适形的视觉语言 勾勒出和谐统一的装饰纹样。商代“尊神尚鬼”的宗教思想使鸮鸟成为“吉祥之鸟”，西周民神并重的思想 意识却使之变成了“不祥之鸟”， 使 鸮 鸟形象在青铜器上由盛而衰。鸮形图像的兴衰反映了宗教信仰变化致 使审美观念变化的规律，同时也反映了统治者的意志。 关键词：鸮形铜卣；艺术形式；文化内涵 中图分类号：J526.1；K876.41 文献标志码：A 文章编号：1674-7100(2016)02-0083-05 Analysis of Art Form and Cultural Connotation of Hunan Owl-Shaped Copper You WU Wei，ZHOU Shaozhuo （School of Packaging Design and Art，Hunan University of Technology，Zhuzhou Hunan 412007，China） Abstract ：The owl-shaped copper You unearthed in Shuangfeng County, Loudi City in Hunan province, was the ritual utensil in the middle and late Shang Dynasty, which showed dignified and ancient religious influence through symmetric approaches. The Chinese freehand brushwork method was applied to simply and broadly depict the“ God Bird” image. The proper visual language was adopted to outline the harmonious and unifying decorative pattern. The religious thought of “respecting god and adoring ghost” in Shang Dynasty made the owl “auspicious bird”, while the ideology of“ god and common people being equal” in the Western Zhou Dynasty turned it into“ ominous bird”. From prosperity to decline, the owl image on the bronze wares not only revealed the rules concerning religious faith change leading to aesthetic idea change, but also reflected the will of rulers. Key words：owl-shaped copper You；art form；cultural connotation 1 鸮形铜卣概述 物馆[1]。鸮形铜卣由相背的两个鸮形构成卣身，器身 湖南鸮形铜卣于 1986