新托福考试备考策略与模拟试题(delta).docxVIP

智课网TOEFL备考资料 新托福考试备考策略与模拟试题(DELTA) 摘要： 新托福考试备考策略与模拟试题了四套模考题的题目和解析，还添加了对IBT备考的指导建议，非常具有参考价值，下面我们来了解下详细内容。  对于参加 托福 考试的考生来说，新 托福考试 备考策略与模拟试题几乎是人手一本的资料，可见 新托福 考试备考策略与模拟试题对于每一位托福考试的重要性，下面我们将有关新托福考试备考策略与模拟试题的内容展示给大家，助力大家备战托福考试。  新托福考试备考策略与模拟试题：部分内容    Loie Fuller  The United States dancer Loie Fuller (1862–1928) found theatrical dance in the late nineteenth century artistically unfulfilling. She considered herself an artist rather than a mere entertainer, and she, in turn, attracted the notice of other artists.  Fuller devised a type of dance that focused on the shifting play of lights and colors on the voluminous skirts or draperies she wore, which she kept in constant motion principally through movements of her arms, sometimes extended with wands concealed under her costumes. She rejected the technical virtuosity of movement in ballet, the most prestigious form of theatrical dance at that time, perhaps because her formal dance training was minimal. Although her early theatrical career had included stints as an actress, she was not primarily interested in storytelling or expressing emotions through dance; the drama of her dancing emanated from her visual effects.  Although she discovered and introduced her art in the United States, she achieved her greatest glory in Paris, where she was engaged by the Folies Bergère in 1892 and soon became “La Loie,” the darling of Parisian audiences. Many of her dances represented elements or natural objects—Fire, the Lily, the Butterfly, and so on—and thus accorded well with the fashionable Art Nouveau style, which emphasized nature imagery and fluid, sinuous lines. Her dancing also attracted the attention of French poets and painters of the period, for it appealed to their liking for mystery, their belief in art for art’s sake, a nineteenth-century idea that art is valuable in itself rather than because it may have some moral or educational benefit, and their efforts to syn