谈“80后”对中国传统绘画的延续.pdfVIP

- III - 目录 摘 要 ·······················································································································I Abstract·····················································································································II 引 言 ·······················································································································1 一、中国传统绘画的发展历程·········································································2 1.1 传统绘画的流传 2 1.2 外国艺术对中国传统绘画的影响 4 1.3 传统绘画的现状 5 二、当代“80 后”的绘画艺术··············································································6 2.1 “80 后”绘画学习者的处境 6 2.2 “80 后”的创作风格及成因 7 三、如何更好的延续传统·······················································································9 3.1 认清传统绘画与传统文化的关系 9 3.2 对传统绘画笔墨的再认识 10 3.3 保持中国传统绘画的民族特色与创新 12 结 语 ······················································································································16 参考文献··················································································································17 在校期间发表的学术论文及艺术作品··································································19 致 谢 ······················································································································20 - 1 - 谈“80 后”对中国传统绘画的延续 引 言 我们生活在一个与古代不能同日而语的时代，一个变革的时代。在这个高速发展的现 今社会，各行各业都在力求创新，当代艺术已成为一种产业，当代青年艺术家的队伍也在 不断壮大，作为出生于 80 年代后的我们，中间有少数人已经初露锋芒，在艺术界小有名 气。同时我们也即将成为未来中国美术事业发展的中坚力量。 随着社会的发展，人们精神生活的丰富，中华民族的艺术精品却被西方文化泡沫淹没， 传统更与我们“80 后”一代年轻人距离越来越远。时至今日，亲情的淡漠、人情的冷漠、 对弱小的蔑视、对生命的无视似乎已成为这个社会不争的事实，传统文化在流行文化的侵 袭下变得无奈和难堪，早已失去往日的光辉。中国传统绘画更是在“笔墨当随时代”口号 的宣扬下被创新和转型，更有甚者视传统为大敌，唯恐陷身泥潭不能自拔。由于人们的思 想观念、审美观念及文化环境的改变，以及与传统中国绘画的观念、语言、风格