反听系统的设计与调试 音箱 音响 返听(国外英语资料).docVIP

反听系统的设计与调试 音箱 音响 返听(国外英语资料) 1, listen to determine the general return to power amplifier power shall not be less than the total power of the main amplifier of the 20%~30%, of course, this theory is not quantitative, but there is a scene when the principle of singing and playing in the back to the area behind the main speakers, the main voice access must be returned to speakers, once left the area (that is, in the main amplification area) should not hear back to listen to the voice of the main speakers should be sound, otherwise easily cause vocal performer ambiguous or vague feeling that they confuse the public, bewilder. This shows that, at this point, listening and main sound should be integrated into one, but also to coordinate and balance each other, in the volume adjustment to ensure good fusion. 2. listen to the configuration of equipment due to feedback speaker and microphone nearest, but most of the time the singer in return to area, therefore it is easy to cause the microphone feedback howling occurs, so listen speaker the best selection of horizontal speaker special. The speaker design mostly small volume, big power, the speaker ortho axis and horizontal direction is 45 degrees, by adjusting the position, can greatly reduce the ground reflection sound into the microphone of the opportunity, so as to improve the microphone and gain, does not affect the beauty of the stage. There is no difference between echo power amplifier and general power amplifier, and its selection should be treated with the same level as the main power amplifier. In many ballroom, most of the listening system does not use equalizer, the power of the audio amplifier is very conservative, and they think the listening equalizer is unnecessary, in fact, this understanding is biased. We talked about, listen to the microphone back area is easy due to feedback speaker signal feedback from howling, reduce the microphone gain, if so, then we will lose the meaning of setting back to listen to