《女才子书》研究.pdf

摘 要 明末清初烟水散人的《女才子书》，用文言短篇的形式，专写女性才子。明末清初弘扬“才 子”之风，对烟水散人影响极大。同时，作为有才华却失意潦倒的寒士文人，烟水散人弘扬女性 之才，以女性多才而命运不济，来抒写自己怀才不遇之悲感，借此来获得心理慰藉。 全文分引言和正文两部分。引言部分介绍《女才子书》在国内的研究现状，说明当前学界对 其某些方面研究的不足，笔者本文研究的角度、意义、方法。 正文分四章。第一章，从《女才子书》产生的时代文化背景下分析作者以“才子书”为题一 方面有借“才子”之名，提高作品的价值，另一方面，为才女立传，表达自己与才女一样多才命 薄、负才零落的哀伤。第二章，作者所塑造的女性形象的特点是“才”、“德”、“情”、“色”，从 这些女才子形象可见作者“女才子”的标准与妇女观。其妇女观主要是：弘扬女子之才的才德观； 赞同女子改嫁的开明贞节观；对大胆追求爱情的女子的赞扬；一夫多妻的婚姻理想。第三章，从 才子佳人小说广义概念的角度把《女才子书》定位为文言短篇才子佳人小说，而它对同时期其他 才子佳人小说在婚恋观的继承，对以往“一见钟情”、“及第团圆” 的婚恋叙事模式的突破十分 明显。第四章，《女才子书》借鉴了传记体的叙事体式；语言简洁、精雅，是文言体写作才子佳 人小说的典范之作。最后是结语。《女才子书》作为明末清初一部为才女立传的才子佳人小说， 可见当时才女崇拜之风与作者妇女观的进步。 关键词：女才子书；女才子形象；妇女观；艺术特色 I Study on The Tales of Twelve Fair Ladies (Chinese Ancient Literature) Directed by Li Shulan Liu Yanyan Abstract The Tales of Twelve Fair Ladies of Yan Shui San Ren is about the talented females written in classical Chinese. At the time of the end of Ming Dynasty and the beginning of Qing Dynasty, the talented persons were carried forward, which influenced Yan Shui San Ren greatly. Simultaneously, as a talented but frustrated literary man of poverty, Yan Shui San Ren praised the talent of fair ladies with unfortunes to express his own depression that his genius was unrecognized and to comfort himself. The thesis is mainly divided into two parts, the introduction and the body. The introduction is about the current researches on The Tales of Twelve Fair Ladies in China to reveal the short comings of the present studies of the novel in some certain aspects. This part also offers the perspectives