秦腔在乌鲁木齐的传承与发展研究.pdfVIP

中文摘要 秦腔是流行于西北地区的主要戏曲剧种之一，清代中叶达到鼎盛时期，并 向周边地区迅速传播。秦腔在乌鲁木齐的发展状况分为两个阶段：一是解放前 秦腔在乌鲁木齐的生存状况，与移民和陕甘籍军人入疆密切相关，在乌鲁木齐 是以民间班社的形式发展而来；二是解放后秦腔在乌鲁木齐的传承和发展情况， 主要是通过两个专业剧团来实现其传承和发展。 通过对秦腔剧目的题材内容进行考察，可以发现秦腔的发展是在继承传统 的基础上不断创新，剧目具有较强的时代性和地域性。同时，论文也对秦腔音 乐本体，如唱腔音乐、曲牌音乐和打击乐等，尤其是对唱腔音乐进行研究，选 择了比较典型的四段唱腔进行词曲分析，由此得出秦腔在乌鲁木齐的传承与发 展具有一定的地域性的观点。 论文将秦腔置于传统音乐的文化空间进行定位，探析秦腔在乌鲁木齐的传 承形式。秦腔在乌鲁木齐的传承形式有两种：专业团体传承和业余班社传承。 总结二者的传承特点并提出秦腔在乌鲁木齐发展的建设性意见。 关键词：秦腔；传承过程；音乐本体；音乐创新分析；传承形式 I Abstract Shaanxi Opera is one of the major opera dramas popular in the Northwest Territories. The Qing Dynasty is the peak time for it’s development spreading rapidly to the surrounding areas. The development of Shaanxi Opera in Urumqi is divided into two stages. First, Shaanxi Opera in Urumqi before the liberation of China can show that the Opera came to Urumqi closely related to immigrants and soldiers from Shaanxi and Gansu to Xinjiang, in the form of private social class; Second, Shaanxi Opera mainly achieves its heritage and development through two professional companies in Urumqi after the liberation of China. Through the investigation of the subject and content of Shaanxi Opera repertoire, it’s found that it’s constant innovation is based on it’s tradition with a strong feature of era and local region. Meanwhile the paper is to research the Shaanxi Opera music itself including vocal music, percussion music and tune, with a focus on the singing music. The author has chosen four typical singing songs to analysis, which also proves there is a local color of the heritage and development of Shaanxi Opera in Urumqi. Shaanxi Opera is positioned in the traditional music in the paper mainly probing the handing-down patterns of Shaanxi Opera i