浅论孙悟空的艺术形象大学论文.docVIP

浅论孙悟空的艺术形象 目录 摘要 ···········································2 Abstract··········································3 前言 ···········································4 一．孙悟空艺术形象分析····························5 （一）来历不凡，天性烂漫··································5 （二）反抗神权，追求自由··································6 （三)不畏艰险，勇于斗争···································7 二．孙悟空艺术形象的意义····························8 （一）社会现实意义·······································8 （二）美学意义···········································9 三．孙悟空形象的悲剧性·····························10 (一）被压五行山下的悲剧·································10 (二）被迫取经的悲剧····································11 （三)被封斗战胜佛的悲剧··································12 结语·············································13 参考文献·········································14 致谢词··············································15 摘要 《西游记》名列中国四大名著，无疑是中华民族文学史最伟大的作品之一，它向人么展示了一个徇丽多彩的神魔世界，人们无不在作者丰富而大胆的艺术想象面前惊叹不已。通过《西游记》中虚幻的神魔世界，我们处处可以看到作者对现实社会的深刻揭露和批判。而所悟空无疑是《西游记》中第一主人公，是一个真正的英雄。他有不凡的出身，天不怕地不怕，敢于追求自己想要的自由，他有着大英雄的不凡气度，也有爱听恭维话的缺点。他机智勇敢又诙谐好闹。而他最大的特点就是敢斗。与至高的玉帝敢斗，愣是叫响了“齐天大圣”的美名；与妖魔鬼怪敢斗，金箍棒下决不对妖魔留情；与一切困难敢斗，决不低头。但也正是因为悟空的敢斗和桀骜不驯的性格导致了他的悲剧性。 关键词：孙悟空 艺术形象 悲剧性 Abstract Among Chinas four great classics \journey to the west\, is one of the greatest works of literary history of the Chinese nation, it shows people that accepteth a beautiful and colorful supernatural-evil spirit world, people in front of the authors rich and bold artistic imagination. Through the \journey to the west\ unreal and ghost in the world, everywhere we can see the author of profound expose and criticize social reality. And the Monkey King is the first character in the story of journey to the west, is a true hero. He has extraordinary origins, daring not afraid, dare to pursue what you want freedom, he has a big hero of extraordinary bearing, also has the defects of to hear compliments. His wit and brave good humor. And his biggest characteristic is to dare to fight. And dare to fight to the ja