Pose to Pose 让你的动画更上一层楼(国外英语资料).docVIP

Pose to Pose 让你的动画更上一层楼(国外英语资料) So, whats the problem? In the first animation tutorial I wrote three years ago, I outlined a fairly common (but undocumented) method To manage your keyframe in your CG character animation. The focus of the tutorial is absolutely not to claim that there is only one method Can make great animation work, but also is only a suggestion, by drawing on the traditional animation, with a kind of wise, have a group Theres something I dont think Ill ever be able to understand, thats when you go to that tutorial What should be done after the end? What is it that makes animated animations that are just functional for good animation? How can you make your graceful gestures and clear rhythms become natural and fluid and attract the audiences attention? In short, how do you leap from OK to good? So, smart guy, how do you jump from OK animation to good animation? At the time, I had to admit that I didnt have all the answers to these questions The animation is excellent (believe me, I am not), but I have a clearer picture of the answers. Now Given some bold statements, I think thats right: For most parts, all Pose to Pose animations tend to be homogenized. Ive seen hundreds of other peoples animation tests, all of them using the p-2-p animation method. But the feeling is the same. Basically, Ive stopped at OK. I need to go to the next step and find each The unique feature of the character, let my animation go beyond OK to the next level, make some really good, horizontal In recent years I have envied the works of the immortal animations. Thank you for your personal statement, but you didnt answer the question... By thoroughly analyzing my own work and then analyzing another piece of my work, I began to notice one Trend. That tendency is concentrated: I didnt make my job better. I was content to complete some form, To reach the main posture and rhythm, but I dont spend time on all the little things, just these things get promoted The quality of the anim