艺术符号三级指系统构想——例析石冲艺术.pdf

艺术符号三级意指系统构想――例析石冲艺术 摘要 本论文的论述是关于艺术符号分析理论的一种新的推演，即艺术符号三级意指系统的 构想。此构想的基础来自于索绪尔――叶尔姆斯列夫――罗兰. 巴特――克里斯托娃一脉而 来的符号意指分析。三级意指系统的构想和推演则是看到这一分析体系中对于符号生产活 动分析的局限和割裂所在，试图将这一分析活动推演到一个系统性的生活世界之中。符号 意义和意味是一个关系场的产物，异时异地地发生着异质的变化与生长，从来不是一种被 割裂的，平面且被封闭的存在。而选取石冲艺术进行这一理论推演的案例分析，则在于其 艺术生产形态中体现出来的艺术符号生产的特质相对而言更为明确，与艺术符号三级意指 系统的构想、推演更能找到契合之处。这一推演例析的结果在一定程度上认证了艺术符号 三级意指系统理论构想的成立。 关键词：艺术符号三级意指系统、关系场、生活世界、艺术符号生产、石冲艺术 I 艺术符号三级意指系统构想――例析石冲艺术 Abstract This thesis is the development of Analysis Theory of artistic sign A supposition of the third-grade signification system of artistic sign. The foundation of this supposition is signification Analysis of artistic sign, which is created by some people from generation to generation; those people are Sauussure Hjelmslev Roland Barthes Kristeva.The supposition and development of Third Grade Signified system focus on the Semiotics of Arts Analysis’s limitation and fragmenting analysis on producing activity of sign and try to make this supposition enter a systematic life world. The significance and sense of semiotics is the produce of relationship field which dissimilarly change and grow from time to time and from place to place and this relationship field has never been a separate, planar and isolated existence.Relatively speaking, the producing idiosyncrasy of semiotics of Arts in Shi Chong Art ’s producing forms is obvious and Shi Chong’s Art can harmoniously match the supposition and development of the third-grade signification system of artistic sign, and that is the reason why this thesis takes Shi Chong’s Art as the study case. What is more, to a certai