《霓裳羽衣》艺术特征和多元化分析.pdfVIP

Classified Index: University Code: 10075 U.D.C: NO:033493 A Dissertation for the Degree of M. Arts An Analysis of Song of the Colorful Robe and Feather Clothes for Its Artistic Characteristics and Diversification C a n d i d a t e ：Wang Mingxia Supervisor ：Prof. Zhang Wenchuan Academic Degree Applied for ：Master of Arts Speciality ：Arts University ：HeBei University Date of Oral Examination ：June,2006 摘 要 摘 要 《霓裳羽衣》是唐代歌舞大曲中独树一帜的奇葩，它继承了传统，融会了西域九部 乐中的精华，形成了散序、中序、破的结构形式。唐崔令钦《教坊录》中记载了唐大曲 曲名46 个。其中《霓裳羽衣》曲即为歌舞大曲的经典之作。 全文共分四章。第一章对作品本身的产生和文献记载进行整理、分析、比较和归纳， 得出《霓裳》的产生是建立在宗教艺术与外域艺术的基础上。第二章到第四章主要从音 乐本体的角度出发，对艺术表现形式的多元化、文化性质的多元化、审美形态的多元化 进行梳拢和分析。得出其综合宫廷、宗教、外域以及民间的艺术表现，在文化性质上的 各种表现具体为：政教性、宗教性、兼容性、集萃性与享乐性。从它的审美形态上分析 出威仪、装饰、写实与规范的四种形式特征与构制的以“和”为主的意象和意境。最后 得出对今天的启示。 全文主要运用了历史调查法、音乐本体研究法、比较研究法。 关键词 大曲 艺术表现 文化性质 审美形态 I Abstract Abstract The Song of the Colorful Robe and Feather Clothes is an outstanding and unique masterpiece among Tang Daqus (a form of song and dance in the court of Tang Dynasty). It consists of three parts, San Xu (prose-prelude), Zhong Xu(middle-prelude) and Po (broaching) by integrating the features of Buddhism and Taoism together on the basis of Chinese traditional songs and dances. As per an analysis of this masterpiece from four perspectives including retrieval of the related historical documents, this paper reached a conclusion that it was originate