中国油画的写意图式和其美学品格.pdfVIP

中国油画的写意图式及其美学品格 摘 要 油画作为一个舶来画种，带着异域文化特性，它在中国的发展 也必然与中国文化产生碰撞，而在这两种文化产生碰撞的同时更多 的是交流与融合。就目前中国油画的发展状况来看，这种融合在中 国油画受传统文人画“写意”影响中体现的最为明显。 中国写意性油画的发展已有百年历史，历经三个阶段，尤其自 20 世纪 80 年代以来，中国油画的创作从画家的观念、情趣以及成 果各方面来看，有一种整体性的从写实走向写意的趋势存在。而根 据其创作特点与形式的不同，可以分为具象表现式和意象表现式。 中国写意性油画的发展是受到中国传统文人画精神的影响，在审美 趣味上崇尚笔墨的韵味和简雅，造型上不求形似，追求表现文人的 情趣与自我的陶冶。中国的写意油画似乎具有西方“表现主义”艺 术的因素，但却与它有着本质区别，根源主要在于东方传统文化的 渗入和美学观的选择。 写意图式的出现是中国油画发展过程中的一种必然现象，它的 出现既为中国油画创作中形式语言的创新提供了一种可能，也推动 了中国油画的多元化发展。 关键词：中国油画；写意图式；具象表现；意象表现；美学品格 The Xie Yi Style and the Aesthetics Characteristics of Chinese Oil Painting Abstract Oil painting, an imported artistic school in China, is characterized of exotic features. Its growth in China inevitably greets Chinese culture, which, however, is not so much the collision than blending and communication. Chinese oil painting, in light of its current development and under the influence of Xie Yi (Xie Yi literally means freehand brushwork in traditional Chinese painting, i.e. through concise brushwork, artists capture the image of the objects and manifest their own artistic conceptions), gives a vivid and clear account to the blending. The past century has witnessed the development of Chinese Xie Yi Oil Painting and the three stages it has undergone through. It’s noteworthy that since 1980s, concerning artists’ notions, temperament and interest, as well as their outputs, Chinese oil painting has been on the track from Xie Shi (artists use brushes to mirror the objects) to Xie Yi. However, according to the different styles, it can be further classified into concrete expression, and image expression. The evolvement of Xie Yi Oil Painting has been un