吴昌硕写意花鸟画探究.pdfVIP

Classified Index: University Code: 10075 U.D.C: NO: A Dissertation for the Degree of M. Arts Research on Wu Changshuo’s freehand bird painting C a n d i d a t e ：Liu Shaojuan Supervisor ：Associate Prof. Li Wengang Academic Degree Applied for ：Master Degree of Arts Speciality ：Fine Arts University ：Hebei University Date of Oral Examination ：June,2013 摘 要 摘 要 在中国近现代画坛，吴昌硕是有开拓性业绩的。他的写意花鸟画艺术，承古人之遗 风，博众家之长，集古今中外之大成，为己所用，同时又融会贯通，开创了自己“吴派” 的艺术风格，且能传达出中国美术的精神实质和内涵。 本文探讨吴昌硕写意花鸟艺术，在总结前人研究成果的基础上，先分析他的写意花 鸟画艺术个性的形成因素，再主要用笔、用墨、用色三个方面来分析他的写意花鸟画的 艺术特征，最后分析他的写意花鸟画艺术对后世的影响。文章在对吴昌硕写意花鸟画的 艺术特征进行分析时，结合了自己平时临摹他的作品的感触，对他部分作品进行了深刻 的分析，从而明确了吴昌硕写意花鸟画的艺术特征。吴昌硕的写意花鸟画艺术以其独特 的形态展现了中国文化与艺术的风采，对当代文人画家影响甚大。 关键词：吴昌硕 写意花鸟画 笔墨 I Abstract Abstract In Chinas modern painting world, ChangshuoWu takes over the pioneering performance. His freehand bird art, inheriting the legacy of the ancients, absorbing the good qualities of different faction, set the culmination on that times. In the end, he creates his own Wu School artistic style, and can convey the China Academy of Art spiritual essence and meaning. This article explores the freehand bird art of ChangshuoWu, on the basis of summing up the results of previous studies, firstly through the analysis of the formation of his freehand bird artistic individuality factors, and then via pen, ink, color three aspects to