董昌以书入画现象探究.pdfVIP

Classified Index: University Code: 10075 U.D.C: NO:033494 A Dissertation for the Degree of M. Arts The Phenomena of Tung Chi-chang’s Introducing Calligraphic Techniques into Painting C a n d i d a t e ：He Yi Supervisor ：Prof. Liu Zongchao Academic Degree Applied for ：Master of Arts Speciality ：Art Studies University ： HeBei University Date of Oral Examination ：June,2006 摘 要 摘 要 中国书法与绘画是具有亲缘关系的姐妹艺术，共有的工具使二者密不可分，书法以 它的内在精神和笔墨线条作用于绘画，以书入画、书画结合成为独具民族特色的艺术发 展之路，特别是文人画兴起以后，书法对绘画的影响越来越大，正是由于书法艺术的融 入绘画，使得中国的绘画从写实而逐渐转入写意。 董其昌书画兼通，他将理论与实践相结合对书画关系进行探讨，把握到书画关系的 历史发展逻辑，并开启了书画关系新的历史。他将书法的用笔、用墨、结字、章法等观 念融入绘画，实践了文人画以书入画的艺术观，并把山水画的笔墨语言推向抽象表现前 所未有的新高度。董其昌创造了以秀逸、淡远、爽俊为美学特征的书风，同样他将这种 风格融入绘画，其绘画作品同样具有萧条、淡泊、超逸的意境。 关键词：董其昌 以书入画 文人画 南北宗论 笔墨程式 I Abstract Abstract There is a close relationship between Chinese calligraphy and painting, the same tool connects them. Chinese art has developed on an unique ethical characteristic road, based on the introduction of calligraphic techniques into painting, and the convergence of calligraphy and painting. As Literati Painting sprung up, painting has been influenced intensely by calligraphy. Converging on calligraphy, Chinese painting developed from realism to imagism. Tung Chi-chang was good at both calligraphy and painting, he studied the relationship between them in theory and practice, and he comprehended their historical