试论黄山自然化和黄山画派的形成.pdfVIP

摘要 摘要 II 摘要 内容摘要 中国山水画的发展在经元代达到高峰后，由明代到清代日渐衰微，其中最主 要的原因是对传统技法的陈陈相因，导致画家们缺少对自然的师法造化，专事摹 古而导致的缺少创新精神。本文通过探讨以渐江、石涛和梅清为首的黄山画派， 在师法黄山自然造化中，如何根据自然山川的特点，重塑自己的笔墨语言，形成 自己独特的绘画风格的过程，来认识师法自然造化在他们艺术创作中的重要作 用。 在艺术多元化的今天，认识到师法自然造化在艺术创作中的重要作用，对于 解决如何传承和创新的矛盾，仍具有重要的现实意义。 关键词 关键词 关关键键词词 黄山画派； 黄山画家群；传承；创新；师法造化 I 摘要 ABSTRACT ABSTRACT AABBSSTTRRAACCTT After Yuan Dynasty , the development of Chinese landscape painting started to decline from the Ming Dynasty throughout the Qing Dynasty.The major reason is the routinization of traditional techniques, resulting in a lack of imitation from nature as well as the innovative spirit caused by addicting to the ancient style. This paper explores the process of how the Huangshan School of Painting, led by Jian Jiang, Shi Taoand Mei Qing, reshaped its own painting language and formed its own unique painting style based on the characteristic of landscape while imitating from the natural scene of Huangshan, through which we can understand the significance of imitation of nature in the painters’artistic creations. In the modern day of diversified art, recognizing the important role played by imitation from nature in the artistic creation still has a practical significance in solving the contradiction of how to inherit and innovate. Keywords: Keywords: KKeeyywwoorrddss:: the Huangshan School of painting; the painters of Huangshan School of painting; inheritance; innovation; imitation from nature II 目录 目录