周兵纪录片创探究.pdfVIP

Classified Index: University Code: 10075 U.D.C: NO: A Dissertation for the Degree of M. Arts Zhou Bing’s documentary research C a n d i d a t e ：Zhang Xiaofeng Supervisor ：Prof.Jin Xiaofei Academic Degree Applied for ：Master Degree of Arts Speciality ：Broadcast and TV art subgect University ：Hebei University Date of Oral Examination ：May,2012 摘 要 摘 要 自中国电视诞生，纪录片就活跃在大众的视野里。在不同时期由于内外部多重因 素的作用，我国的纪录片表现出政治化、人文化、平民化和社会化的倾向。今天的纪 录片创作更加重视影响力和责任。导演周兵以传承中华文化为己任，《故宫》、《敦煌》、 《当卢浮宫遇见紫禁城》等等作品承载着博大的文化在受众中广为流传，有的甚至走 出国门扮演着文化使者的角色。纪录片的创作方面，他一贯坚持求新求变，在探索与 实验中试图创造精品。周兵成长于体制内，但最终走向市场。他的作品在很大程度上 反映了纪录片自身艺术探索与市场化大环境的双重特点，在新时期的纪录片创作中具 有一定的典型性。本文立足于周兵的纪录片创作，深入分析时代环境与周兵创作的微 妙关系以及探究周兵纪录片创作的艺术特色。 关键词：周兵 纪录片 时代 艺术特色 I Abstract Abstract Since China ′s TV was born, the film was active in the public view. China ′s documentary, multiple factors under the effect of external in different periods show politicized ,the humanism of the common people ,and the tendency of socialization. Today ′s documentary creation pay more attention to influence and responsibility. The director of Chinese culture to inheriting Zhoubing has done for oneself, “the imperial palace”, “the dunhuang ”, “When The Louvre meet the Forbidden City”, and so on such a large bearing the culture and in the audience of a widely circulated, some even go out of the country plays the role of an angel culture. The creation of the documentary, he always insist on