木刻版画中“黑白灰”的规律分析.pdfVIP

木刻版画中“黑白灰”的规律研究 中文提要 木刻版画中“黑白灰”的规律研究 中文提要 在黑白木刻版画的创作中 ,主题和背景必须要有明度上的差异 ,如 何利用这种黑白木刻中的黑、白和灰调的差异来合理、有效地表现画面, 是关乎黑白木刻艺术创作成功的关键 ,也是在木刻版画毕业创作中作者 是否能够把脑中和素描画稿中设计好的画面内容成功转化和展现为木刻 版画，体现独特韵味的关键所在。笔者通过毕业创作等一系列实践过程 并结合相关的艺术理论，着重研究黑白木刻版画中“黑白灰”调的构成 规律和表现方法。特别是在对当代木刻版画中灰调的大量运用提点自己 的看法，把自己的思考融入到毕业创作中去，初步奠定了自己的木刻版 画特色。 关键词：木刻版画 黑白灰 构成规律 作 者：是人杰 指导教师：张天星 I Research on “black ，white and gray color in woodcut Abstract Research on “black ，white and gray color in woodcut Abstract In the creation of black and white woodcut, themes and backgrounds must have contrast in lightness. The way to play black, white and gray color smartly and effectively to represent the woodcut is a key to success in woodcut creation. It is also crucial for the representation of the unique charm of the woodcut by successfully transforming one’s concept and sketch drawings to woodcut prints with these colors. The author conducts research on black, white and gray color design rules and representation methods applied in woodcuts in particular, combined with social practice and theory of art. The author has brought up his own perspective towards the contemporary woodcuts with the extensive use of gray tone. He has his own creative thinking applied into his graduate creations, laying an initial foundation on his own features. Keywords ：woodcut black,white and gray color design rules