米兰壁画与东西方艺术关系考论.PDF

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米兰壁画与东西方艺术关系考论

WASEDA RILAS JOURNAL NO. 3 (2015. 10) 兰东西方艺术关系考论 米 壁画与 西方 关系考 兰 东 艺术 论 李 青 Buddhist Art in Mainland China and Xi Yu(the Western Regions) Qing LI Abstract  The Milan Buddhist Temple is located over 70 kilometers east of Xinjiang Ruoqiang county in what was the heart of the Silk Road region in the Han and Jin Dynasties. The temple murals were created around the third century BCE, and are not only some of the earliest Buddhist murals in China, they are also some of the earliest surviving examples of Gandhara painting. The murals were painted by the artist known as the Kushan painter, whose style was influenced by Hellenistic Gandhara art and even displays some characteris- tics of Roman painting. Two different technical styles are discernable in the execution of the murals, namely, the “fine pen dye” method and the “rough sketches” method. These two styles originated within the non- mainstream tradition of Roman painting and represent the main features of Gandhara painting. The study of the Milan murals is of significant academic value for analyzing the evolution of Chinese Buddhist art and early Buddhist painting in the Qiuci, Dunhuang, and Hexi regions. 对 兰遗 进 调查 发现 引言 米 址 行了 ,并 了两幅有翼人物壁画 (3) 兰 发 资 载 图 。斯坦因在米 的 掘 料刊 于《西域考古 兰 遗 玛 记 实 馆 米 (Mirah) 址位于今中国新疆塔克拉 》,其 物主要笈藏于印度新德里国家博物 ;橘 东 缘 县 东 兰镇东约 韩 馆 干沙漠 南 若羌 城以 7

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