生生美学的十年进程 程相占.pdfVIP

生态美学与生态伦理研究 生生美学的十年进程① ⊙程相占 摘 要 程相占正式提出于 年的生生美学，是以中国传统生生思想作为哲学本体论、价值定向和文 [ ] 2002 明理念，以“天地大美”作为最高审美理想的美学观念，它是从美学角度对当代生态运动和普世伦理运动的回 应。 通过发掘中国轴心期生生理念所隐含的生态智慧来构建当代生态美学，不但有效地实现了中国传统核心 价值观的当代转化， 而且更加充分地发挥了美学作为文化病理学的批判文弊之功能。 从生态美学向环境美 学、城市美学与身体美学的拓展，可以引导我们反思和发掘遍及人类生活方方面面的审美因素。 关键词 生生理念；生生美学；生态美学；文弊 [ ] 中图分类号 文献标识码 文章编号 （ ） [ ]B83-069 [ ]A [ ]1674-6848 2012 06-0073-08 作者简介 程相占（ —）， 男，河南南阳人，山东大学文艺美学研究中心副主任，山东大学文学与新闻 [ ] 1966 传播学院教授，博士生导师，主要从事环境美学、生态美学、身体美学、生态批评研究。 （山东济南 250100 ） Title: Ten Years of the Aesthetics of Fecundity of Life Author: Cheng Xiangzhan Abstract: Taking the traditional Chinese notion of “fecundity of life ” as its ontology, value-orientation and ideal of civilization, and taking “the greatest beauty in the universe ” as its aesthetic ideal, the aesthetics of fecun- dity of life proposed by Cheng Xiangzhan in 2002 is a theoretical response to contemporary ecology movement and global ethics movement. Constructing today ’s ecoaesthetics by reinterpreting the ecosophy contained in the notion of “fecundity of life ” in the Chinese Axial Period, the transformation of the traditional Chinese core value can be effectively realized and the important function of criticizing cultural evils by aesthetics as cultural pathology can also be performed fully. The expansion from ecoaesthetics to environmental aesthetics, urban aesthetics, and so- maesthetics can lead us to reflect and discover the aesthetic elements embodied in