景深入门（Depth of field）.docVIP

景深入门（Depth of field） Depth of field In addition to the complex aspects of exposure and photometry, photographic enthusiasts often find that depth of field is the most difficult concept to master. This is not difficult to understand because it is a coefficient based on subjective assumptions. If someone really pay much attention on these technical issues, then some other people just to deal with eveningclasses and rote learning, and many people almost completely ignored technical problems or only absorb some much-needed items. I have to admit that at first the depth of field seemed like an abstract theory, and the lecture on the circle of confusion at that time was a good indication of my attitude towards the problem. Later, I finally realized the practical value of depth of field in solving practical problems and achieving special effects for creative purposes. Next, Ill gradually introduce how to control depth of field in full practical terms and add new information to each section. Basic theory of understanding. In laymans terms, depth of field is the acceptable clear area that extends before and after the focus of the focus. In fact, in any photograph, only the focused plane is really clear. However, in the view of the viewer, the object before and after this plane may appear fairly clear. The difference in the clear range is based on several criteria, and we will come into contact in the following sections. In explaining the depth of field, textbooks often discuss the minimum dispersion circle, but that is a technical problem that is not necessary for practical applications. For example: you focus the focus of the camera in the shadow of Bengal tigers eyes in the natural zoo, and its eyes are the clearest on the negative. The tigers mouth, as well as the bark behind it, showed clear images in the final pictures. As your eyes move away from the focus eye, the level of blurring increases. The farther away the object from a nearby foreground and distant background