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编剧技巧思路乱谈(The scriptwriter is a little confused)
编剧技巧思路乱谈(The scriptwriter is a little confused)
The scriptwriter is a little confused
Friends often feel that they dont have a story to write about, or they have to think about it in a story, but they dont get it.
One idea cant go down, into a dead end, its another aspect of the problem, lets talk about how to get started, the way of entry is going well, the development will come naturally.
Before you conceive, you need to make sure that you are ready to create a story of what pattern?
Maybe a lot of friends are going to be tough, there are so many different patterns, how am I going to choose? In fact, there are only two patterns in the story: one has to reach a certain goal or encounter something. Two people formed a relationship. If you think about it, all the stories can be incorporated into these two models. Since these two modes differ greatly in their future conception and creation, it is necessary to choose between them first.
Its not going to be a movie in any way, but its a very practical way of doing it.
The former model is fairly broad, and many of the works that differ in many types and levels can be applied.
It can sum up: who is he? What is he going to do? Why would she do that? What happened to him? What was the difficulty in his goal? Did he eventually fulfill his wish? As a basic idea, this can outline the plot of the work.
The latter style is often used in western movies in recent years, and we focus on it as an example.
Ideas often start from a point, and good stories are almost always summed up in one sentence.
Rain man: a man discovers that he has an unmet intellectual retarded brother who takes his brother home to fight for his inheritance.
Grand central station: a boy dies and an unemployed teacher takes him to find a distant father.
Driving for miss Daisy: an elderly jewish woman hired a black driver to stay with her.
The similarity of the three stories, is at the heart of the story is the development of relations between the two individuals
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