一颗心灵诸形代言——重拾毛旭辉艺术主线.docVIP

一颗心灵的诸形代言 Shapes of the Heart ——重拾毛旭辉的艺术主线 Center Line of Mao Xuhui’s Art Regained 撰稿/张光华 毛旭辉，1956年6月出生于重庆，同年9月随父母迁移至昆明，从此成为一颗扎根在红土地上的“云南种子”。他的根茎培植在高原的感性养分中，枝叶却在飞转的当代历史风云中呼吸各种思想形态，性情敏锐而又涵蓄，天生具有艺术气质。他喜欢文学、音乐，尤其喜欢绘画，少年时代接触的一本苏联人写的《给初学者的几封信》，开启了他执着半生的绘画事业。1977年，毛旭辉怀揣艺术理想考入云南艺术学院美术系油画专业，开始学院派基础学习，从此再也遏制不住阅读的渴望，冲破一切障碍搜罗西方现代主义哲学与绘画读物，渐渐叛离学院意志而走近巴比松、塞尚、高更和凡高。在1975年的“农业学大寨”活动中，毛旭辉结实了同样热爱艺术的朋友张晓刚，张晓刚于1978年考入四川美术学院油画系，大学期间他们往来通信交换艺术信息和观点，并利用暑假去乡村写生，去全国各地进行艺术考察，走访艺术家。这些鲜活的经历，激发出他对毕业创作的勇敢构想，1981年他独自跑去西双版纳写生，准备毕业创作素材，他要以最真诚的画笔描绘最朴素、最生动的劳动场景，而非矫饰的民族风 20世纪70年代末80年代初兴起于云南并流行于全国的“云南重彩画”，以少数民族生活场景和服饰为题材，线条柔美，色彩艳丽，趣味甜美，极具装饰效果。或是情节化的伤痕潮 20世纪70年代后期“文革”结束后，以反思 20世纪70年代末80年代初兴起于云南并流行于全国的“云南重彩画”，以少数民族生活场景和服饰为题材，线条柔美，色彩艳丽，趣味甜美，极具装饰效果。 20世纪70年代后期“文革”结束后，以反思“文革”、表现普通人的现实命运为主题的“伤痕美术”，贯穿以悲情的基调。 Mao Xuhui was born in June, 1956 in Chongqing and in September of the same year he moved to Kunming along with his parents. Since then he has became a “Yunnan seed” rooted in the red land. His root and trunk are nurtured in the romantic nutrient of the plateau, while the branches and leaves are breathing different ideologies in the turns of the contemporary tide. He is a born artist, sensitive and reserved. He likes literature, music and painting particularly. When he was a teenager, he got a book titled Several Letters to Beginners written by a Soviet author, which began his painting career that he has persisted in for half a life till now. In 1977, bearing his art dream, Mao Xuhui was admitted to the Art College of Yunnan Arts University, majoring in oil painting, where he started to learn academic basics and soon he couldn’t restrain his desire for reading so that he broke through all obstacles to collect books on western Modernism philosophy and paintings. Gradually, he deserted the academic will and approached Barbizon, Cézanne, Gauguin and Van Gogh. In 1975’s “Emulating Da-Zhai in Agriculture” campaign, Mao Xuhui got acquainted with the art-loving Zhang Xiaogang, who was admitted to the Oil Pai