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红色黑色及其搭配的审美意象(Red, black and Its Aesthetic Imagery).doc

红色黑色及其搭配的审美意象(Red, black and Its Aesthetic Imagery).doc

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红色黑色及其搭配的审美意象(Red, black and Its Aesthetic Imagery) Red and black collocation of aesthetic images The Art Department of Sichuan Pengzhou Li Ying Chengdu Teachers College Abstract: red and black is a very important color not only has its own rich connotation and their collocation use is extremely well in the use of color. This paper tries to expound it from the color of the physical and symbolic aspects. Keywords red black Red and black total people and evil, life and death, sunlight and shadow, sound and silence, radical and conservative feeling. Although they are extreme opposition but unspeakable common will this pair of contradictions at the same time using color is undeniable classic use of color collocation. First, from the physical color of red and black Black has a dual nature. From the perspective of pigment it is the sum of all colors from the optical perspective it was blank without a trace of light is the abstraction and generalization of a dark color of the world. Take it and the other colors together always have strong contrast effect. For example, black and white is one of the absolute contrast color a bright and dark light and there is also no color attribute. Again, this is a combination of black and yellow color collocation of the most visual impact however white and yellow is too thin and black collocation can highlight too much one party or the other party is too weak. With such a rich black and mystical color, and compete as full and should have sense is red. Red is the longest wavelength in the visible spectrum, the color sense of color. Its a long tone mixed with other colors can produce abundant changes. The red and black collocation is the strength of the contest. Two, red and black in the original art from the beginning of the importance of using the color red and black two colors is closely related to humans. Primitive people are both common features of eastern and western use of color in the spontaneous spirit in the hierarchy is pure and

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