多元文化下边缘人的呐喊及其深层文化内涵毕业论文.doc

多元文化下边缘人的呐喊及其深层文化内涵毕业论文 Contents Abstract i 摘 要 ii 1 Introduction 1 2 Artistic Appreciation of The Loons 4 2.1 Distinct Description of Piquette’s Complicated Characters 4 2.1.1 Piquette’s Coldness and Stolidity in the Beginning 4 2.1.2 Piquette’s Great Devotion to Life Four Years Later 5 2.1.3 Piquette’s Hopelessness After the Failure of Marriage 6 2.2 Symbolism in The Loons 7 2.2.1 The Symbolism of the Environments 7 2.2.2 The Symbolism of the Spirit 8 2.2.3 The Symbolism of the Ending 9 2.3 Pun in The Loons 9 3 The Deeper Cultural Connotation in The Loons 12 3.1 Post-colonial Feminism 12 3.2 Ecological View in The Loons---Conflicts Between Human Civilization and Ecological Environment 13 4 Conclusion 15 References 17 Acknowledgements 19 毕业设计（论文）知识产权声明 20 毕业设计（论文）独创性声明 21  The Cry of the Marginalized People in Multiculturalism —The Analysis of The Loons and Its Deeper Cultural Connotation 1 Introduction Canada is a country with multi-culture, multi-ethnics, and multi-religions, which is composed of immigrants and aboriginal peoples. Because of the complicated composition of the ethnics, for one thing, Canadian culture has various and colorful features, for another, there exists serious national contradiction and conflict of interests resulting from different culture, traditions, customs, religions, and some other values. Canadian national literature is rooted in the multiculturalism. Nation assimilation is a kind of phenomenon that a nation or a part of a nation loses its own national features, becoming another nation. [1] For a long time, the Canadian mainstream culture was possessed by British and French culture, while aboriginal culture was oppressed and assimilated, resulting in their low social status and education level. Hence, Canadian writers in that period were almost the descendants of white settlers, whose literary themes were living conditions of the white. At the same time, a few writers began to focus on the aboriginal culture. For example