王林旭当代艺术的创新核心必是中国(Wang Linxu the core of the innovation of contemporary art must be China).docVIP

王林旭当代艺术的创新核心必是中国(Wang Linxu the core of the innovation of contemporary art must be China).doc

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王林旭当代艺术的创新核心必是中国(Wang Linxu the core of the innovation of contemporary art must be China)

王林旭当代艺术的创新核心必是中国(Wang Linxu the core of the innovation of contemporary art must be China) In the long-term exploration of art and performance, human beings gradually formed a rich and colorful visual style, style and language form. About 2300 years ago, the ancient Greek Euclid, Aristotle and Platon established the basic concepts of space, time and light at the earliest western view of the world, and began to doubt the rational and logical reasoning on complementary thinking tools to explore natural phenomena of nature. The ideology of the Renaissance in Europe has been re affirmed, and more from Descartes and Kant philosophy of orderly development with the objective world, the art of observation subjects and their performance is to be distinguished. The industrial revolution in Europe at the beginning of the nineteenth Century, and further strengthen the trend of human rational view of the world. Scientific research and discovery in late nineteenth Century and early twentieth Century, the concept of change in time and space in the human world are separate from the concept, causes people to doubt the objective existence depicted by the rational logic of philosophy and art, began to question the thorough description of realism art of the object, and then began to attach importance to peoples subjectivity and the role of creativity in art development. On this basis, the western impressionism was born. This new way of seeing the world, in the western artists with Africa, Oceania and Asia Japan exchange echoed, in order to verify the different human civilization on common worldview evolution. In the traditional western concept of the artist, the void space is abstract, artistic expression in painting on space is to give content to a blank canvas. In the eyes of the Oriental artists, space is a muddy mang scene, all substances which are derived from the existence of space, is a kind of activity and structure has bred force. Therefore, in the China ancient painting no pri

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