艺术-艺术是表现德国表现主义到新表现主义(Art - art is German Expressionism to Neo expressionism).docVIP

艺术-艺术是表现德国表现主义到新表现主义(Art - art is German Expressionism to Neo expressionism).doc

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艺术-艺术是表现德国表现主义到新表现主义(Art - art is German Expressionism to Neo expressionism)

艺术-艺术是表现德国表现主义到新表现主义(Art - art is German Expressionism to Neo expressionism) Abstract art is the performance criticism as a new theory of art and literature. From 1920s to 30s. At that time, many young Germans and the Europeans are trying to break the art imitates concept to create a new form of art, the art is of some concepts and ideas of expressionism. In the postmodern era, for art is a manifestation of the new further interpretation, and thus more in-depth understanding of this new type. Keywords performance point of view is the performance of the new German Expressionism expressionist art Since ancient times, art creation theory, is torn between simulation theory and creation. West to the ancient Greek philosopher Aristotle first proposed the art is to imitate or mimic theory, was later revered as the theory of imitation (theory ofmimesis, or theory of imitation): Platon is the founder of the theory of creativity (theory of creativity) master. Aristotle stressed that art works by copying simulation surface appearance, the use of different materials, different people through which the artists hand and made. Platon is the famous art of contempt. He opposed the consciousness of art is the imitation or simulation theory. Put forward a set of his own theory, that the source of artistic creation is human creativity, art is to capture the abstraction and simplification of the concept of work. Platon put the art work for rational abstraction, art has been described as the concept of magic master, only rational, consciously by the philosopher to complete. But from the point of view of the history of Western art, Aristotles imitation / mimic theory has the upper hand, after hundreds of years, has been the dominant ideology of Western art theory and aesthetics. During the Renaissance, on the one hand, Platons theory of a new understanding, on the one hand and the Renaissance of the simulation of the art of ancient greece. In eighteenth Century, William Blake (WilliamBlac

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