设计比例(Design proportion).docVIP

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设计比例(Design proportion)

设计比例(Design proportion) A comparison, the size of the The relationship of size is a plastic elements in the most valued, almost can be decided between image and harmonic. The size difference is less, give people the feeling is a warm Shen, the size of the difference is big, give people the feeling is distinct, but also has a strong sense of. Comparison of two shade Yin and Yang, positive and negative, day and night and so on, so the statement of contrast, can make people feel the light and shade relations in daily life. At the beginning of the birth of the baby, first in the vision can separate the light and shade, and cattle, dogs and other animal can identify simple black and white, but the chroma or hue but cannot be easily identified, therefore, light, black and white, is the most basic elements of color sense. Three, the thickness of the contrast The font thick, the rich mens spirit. If the representative of fashion and women are usually fine words in performance. Fine words if weight increased, rough words should be reduced, such collocation looks more lively. Comparison of four curves and straight lines The curve is very rich downy sense, a sense of ease; straight line is rich, very hard sharp sense of masculinity. In nature, all by both the appropriate mixing. We usually do not pay attention to this relationship, but when the curve or straight line emphasizes a shape, we will have a deep impression, but also have the corresponding emotion. So we often in order to gain curve impression by some straight to emphasize, it can be said, a straight line to make curve more compelling. Comparison of five texture In the daily life of the ordinary people, perhaps rarely hear texture of this sentence, but in art, the texture is very important influential factors. For example, a sense of relaxation, smooth feeling, moist feeling and so on, all is to describe texture. The texture not only show emotion, and this kind of emotion and affection. We observed the works, often p

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