从叙述话语的功能看叙事作品的深层意义(The deep meaning of narrative works from the function of narrative discourse).doc
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从叙述话语的功能看叙事作品的深层意义(The deep meaning of narrative works from the function of narrative discourse)
从叙述话语的功能看叙事作品的深层意义(The deep meaning of narrative works from the function of narrative discourse)
Abstract: the study of narrative discourse functions is based on the separation of story and discourse. This distinction is an indispensable prerequisite for narratology, but it also encounters a variety of deconstructive challenges, the most representative of which is the deconstruction of this distinction by the famous American literary theorist Jonathan Kalle. Firstly, anti deconstruction more convincing to some to explore three kinds of deconstruction, and the main function of narrative discourse: selection, organization, composition of story. On the choice of function, the previous critics or ignore this feature, or focus on how to choose the event to form words in the plot, is focused on how to choose the discourse purpose story composition deviation plot, and foregrounding representation. As far as the comment function is concerned, we should pay special attention to the narrative criticism which deviates from the stipulation and breaks the readers expectation. In terms of the organizational function of discourse, this thesis focuses on how discourse can subtly organize two parallel narrative processes, one is superficial, and the other is deep, and the latter bears the deep thematic meaning of the work.
Key words: narrative discourse / choice function / organization function / comment function / deep meaning
In order to excavate the deep meaning of narrative works, the author has put forward the method of overall perusal, namely, a thorough reading of the works, and a comprehensive study of the text, the text and the text. As far as the text is concerned, we also need to know some specific entry angles. This paper focuses on how to discuss the deep meaning of works from the point of view of the role of discourse. This angle is based on the separation of story and discourse. The distinction was first proposed by Todorov, a famous French narrative scientist, in 196
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