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图像技术与美学观念(Image technology and aesthetics)
图像技术与美学观念(Image technology and aesthetics)
Current library: literature, history and philosophy, full text database (1951-2005) (W8)
Image technology and aesthetics
[classification] humanistic Frontiers
[column] humanistic Frontiers
[keyword] image technology / aesthetics / imitation / copy / virtual / visual culture
[issue 200405]
The total number of 284 []
[page number] 05
[author] Zhou Zhou (1954 -), male, Jiangsu, Nanjing, Professor of Chinese, Nanjing University, Ph. D. supervisor. (Department of Chinese, Nanjing University, Jiangsu, Nanjing 210092)
[editor in chief] Liu Pei
[author] Zhou Zhou
Received date: 2004-3-10
Abstract: the impact of technological progress on culture is quite profound. From manual imitation to photo reproduction to digital image technology, advances in image technology have led to three different visual cultural forms, corresponding to imitation culture, copying culture and virtual culture. The development of technology has led to profound changes in the relationship between image symbols and reality, which has led to the evolution of aesthetic ideas. Imitation theory is a kind of rationalism aesthetics. It affirms the central position of the real world and the artistic expression of artists, and the artistic symbols can really reproduce the real world. Mechanical copy had cut off all the grades in the view of traditional aesthetics and dependency, no difference in status will be imitation and imitation subjects in the same, so the modernism in a completely are different from traditional realism forms. Virtual technology dissolves the boundaries between Virtuality and reality. Virtual culture completely eliminates the artists realistic ability, greatly improves the imagination and transcends the limitations of traditional imitation principles.
Keywords: image technology; aesthetics; imitation; copy; virtual; visual culture
CLC number: B83-05, document identification code: A, article number: 0511-4721 (2004) 05-0005-08
Historical studies
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