SYNOPSIS Saylor Academy（剧情简介塞勒学院）.pdfVIP

SYNOPSIS Early in his career, Miró primarily painted still-lifes, landscapes, and genre images. Influences ranging from the folk art and Romanesque church frescoes of his native Catalan region in Spain to 17th-century Dutch realism were eventually superseded by more contemporary ones: Fauvism, Cubism, and Surrealism captivated the young artist, who had relocated to Paris in 1921. His exposure to the ideas of André Breton and his Surrealist circle prompted Miró to make radical changes to his style, although the artist cannot be said to have identified consistently with a single style. Rather, his artistic career may be characterized as one of persistent experimentation and a lifelong flirtation with non- objectivity. Mirós signature colorful, biomorphic forms, roughly geometric shapes, and marginally recognizable objects are expressed in multiple media, from ceramics and engravings to large bronze installations. KEY IDEAS  Conducting his own Surrealism-inspired exploration, Miró invented a new kind of relational pictorial space in which carefully rendered, self-contained objects issuing strictly from the artists imagination are juxtaposed with simple, recognizable forms - a sickle moon, a simplified dog, a ladder. There is the © The Art Story Foundation – All rights Reserved For more movements, artists and ideas on Modern Art visit www.TheArtS sense that they have always coexisted both in the material realm and in the shallow pictorial space of Mirós art.  Mirós art never became fully non-objective. Rather than resorting to complete abstraction, the a