美术高考彩头-传统油画技法中的几大基本准则运用(Several basic principles of traditional painting techniques - caitou art college entrance examination application).docVIP

  • 6
  • 0
  • 约1.6万字
  • 约 9页
  • 2017-09-02 发布于河南
  • 举报

美术高考彩头-传统油画技法中的几大基本准则运用(Several basic principles of traditional painting techniques - caitou art college entrance examination application).doc

美术高考彩头-传统油画技法中的几大基本准则运用(Several basic principles of traditional painting techniques - caitou art college entrance examination application)

美术高考彩头-传统油画技法中的几大基本准则运用(Several basic principles of traditional painting techniques - caitou art college entrance examination application) The basic principles of traditional techniques are based on the traditional masters common characteristics in technique and aesthetic standards, specific principles and for its special effects and summarizes the beneficial to the full implementation of the technique, which involves the durability of production procedures, works and contents of shape, color, texture and other aspects of the show. These principles will help us more clearly and grasp the essentials of classical painting techniques embodied, more effective and in-depth experience between the techniques and aesthetic close contact. We can understand the following four aspects in the actual production process. 1, the first powder ash, saturated after the first powder, ash, saturated, is a transparent method of painting in terms of effective methods, in ancient times, Lubensi is fat cover thin said. It was first proposed to ensure the smooth finish of oil paints and the durability of oil paintings. The formation of a strong film of pigment requires toner and toning oil to achieve a most appropriate proportion. The powder weight and the weight of the oil can not reach the firm and long duration of the conjunctiva. Since it is a multiple drawing method, it must consider the function of each step of it. In order to effectively carry out to make, the oily paint covered in oil less pigment not only helps layers of adhesion ability, but also can be the strongest in the last conjunctival surface, which in turn must be dependent on the surface layers of absorbent powder containing appropriate pigment. In addition, fat thin is not only from the characteristics of oil paint conjunctiva, but also related to the transparent and opaque colors of the effect of the final transparency effect. Pure transparent color is generally relatively saturated oil content, poor coverage, can not a

您可能关注的文档

文档评论(0)

1亿VIP精品文档

相关文档