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Animation on the Chinese aesthetic issues in(动画在中国美学问题)
Animation on the Chinese aesthetic issues in
[Abstract] In recent years, China’s animation art field there has been emphasis on visual forms of preference, the story works mainly in the generalization, the external representation of the visual image of the homogeneity and imitation tendency. In this paper, from the psychology aesthetic point of view of visual perception activities and the development of Chinese animation art reflections on the issue, suggested that China focus on visual art in animation aesthetic while also entertaining the audience should be given to culture and thought, ‘mood’ of the meaning of the United States, highlighting the art of national character character, that is, the visual form of entertainment on the external and internal ‘mood’ of the United States converged on the art of animation into images.
[Keywords] Chinese animation; aesthetic, visual, meaning
Contemporary Chinese art and aesthetic animation exists in the area worth exploring: emphasis on the visual effect of the aesthetic form of entertainment, indulge in the pleasure of the screen to create a visual aesthetic, the lack of content of thought refined works, ethnic culture of communication, do not pay attention to The idea of ??animation content and innovative personality. deliberate pursuit of subjects of external visual forms of expression, the screen too much emphasis on the visual form of commercial, cultural and artistic works of the lack of character and charm of personality to convey, it is difficult to give the audience a long aesthetic taste, the afford the time of scrutiny, it is difficult classic.
First, the Chinese animation Thinking Attention to the visual images of contemporary Chinese animation entertainment undoubtedly stems from the following two points: First, the dependence on foreign animation visual works; the second is the process of animation creation formalized the concept of national character, over-emphasis on short-term commercial
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