中国动漫产业发展对策探析（Countermeasures for the development of Chinese animation industry）.docVIP

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中国动漫产业发展对策探析（Countermeasures for the development of Chinese animation industry）.doc

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中国动漫产业发展对策探析（Countermeasures for the development of Chinese animation industry）

中国动漫产业发展对策探析（Countermeasures for the development of Chinese animation industry） [Abstract] the animation industry in twenty-first Century by scientists as a core industry of knowledge economy, for todays economic development plays an important role, but the current situation of Chinas animation industry is still in the initial stage of development, in the process of development of the animation industry still exist such as the lack of. This paper gives a detailed description on the process of the development of Chinas animation industry in the animation industry at home and abroad, some experience of developed countries, according to our development problems and shortcomings existing in the process, and puts forward some countermeasures for the development of Chinas animation industry. [Key words] animation industry, industry chain, countermeasure Although Chinas market economy development model is mature now, Chinas animation industry has a huge potential market of 100 million yuan each year. However, with the advent of the global digital entertainment era, Chinas animation industry is in a strategic period, Chinas animation industry has not yet formed a real industrialization. Therefore, it is of great practical significance to study the current situation and future development strategy of Chinas animation industry. I. the development of Chinas animation industry When it comes to the history of Chinas animation development, it can be regarded as a glorious history for us to be proud of the Chinese nation. In the 40s of the last century, Chinas first full-length animated feature, the iron princess, was the first animation in asia. Followed by Shanghai animation film studio has produced a havoc in heaven, sea nazha make the classics and shine in the international film festival. In particular, it is worth mentioning that, in 1959, small tadpoles looking for mother as the representative of the ink animation, skillfully integrating traditional Chinese painting in the n