解析不断上升中及建筑美学观.doc

解析不断上升中的建筑美学观 在第二次世界大战后，建筑审美开始了新一轮的趋同。这个时期整个人类社会表现为工业文明的高速发展和科学技术的突飞猛进。经济和文化都突破了国界，形成了世界范围空前的大融合，因此现代建筑运动超越了国界和文化圈，现代主义所产生的国际式建筑迅速统一了全世界的建筑语言。这是一次建筑美学的大趋同，并在发展中完成了其建筑理论框架的建构，从而建筑创作活动以及对建筑的欣赏与评价均以此为参照系统，其作用和影响至今还能够从许多新建的建筑中体现出来。可是很快这种国际式建筑风格在人们眼中就由美变丑了。从接下来的几十年到现在，建筑美学都在努力挣脱现代主义建筑的模式化束缚，朝着多元的方向发展。人们也试图透过当前多元化的样态发掘一个正在萌芽状态的、类似于现代主义之初的新事物，这表达了人们对一个确定或可能确定的“普适”法则的期待与追求。然而，普适法则所依赖的“普适情境”却无法当今找到。 After the Second World War, the convergence of architectural aesthetic began a new round of. The whole human society of this period is the rapid development of industrial civilization and science and technology make a spurt of progress. Economy and culture have broken through the national boundaries, the formation of a large fusion world record, so the modern architecture movement beyond national borders and cultures, international architecture produced by modernism the unification of world architectural language. This is a great convergence time of architectural aesthetics, and completed the construction of the building the theoretical framework in the development, and the architectural creation and appreciation and evaluation on the construction of the reference system, the effect still can be reflected from the many new buildings. But soon the international style in the eyes of the people by the beautiful and ugly. From the next few decades now, mode of architectural aesthetics are trying to get rid of the shackles of modern architecture, toward pluralistic direction. It also attempts to explore the current diversified forms a new things are budding, similar to modern at the beginning, it expressed the people expect and pursuit of a certain or likely to determine the universal principle. However, the universal law of the universal situation cannot find today. 　　1 构成：规则与无序并存 1 : the rules and the disordered. 　　“序”指事物或系统要素之间的相互联系以及这些联系在时间、空间中的表现；“无序”是指事物或系统要素间无规则的排列、组合、运动或变化”。在建筑审美领域，“规则”对应着理性、同一、总体化；“无序”则对应非理性、异质、非总体化。现代主义建筑的几何和纯净主义美学基本上是以一种“理性”来调控和引导建筑美学的走向的，为了在不同