舞蹈文化观念与舞蹈本体意识(Dance cultural concept and sense of dance Ontology).docVIP

舞蹈文化观念与舞蹈本体意识(Dance cultural concept and sense of dance Ontology).doc

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舞蹈文化观念与舞蹈本体意识(Dance cultural concept and sense of dance Ontology)

舞蹈文化观念与舞蹈本体意识(Dance cultural concept and sense of dance Ontology) Dance cultural concept and sense of dance Ontology One As we all know, human civilization is inseparable from culture. But usually we have summarized as culture material culture and spiritual culture in two categories, in short, the material culture is the basis for human survival, provide the basic conditions for human life; while spiritual culture is a reflection of human life style and self perfection in the way of peoples ideology on. Undoubtedly, dancing is the art of spiritual culture. It belongs to an art category under the concept. Therefore, from the macro point of view, the basic meaning and value of the existence of dance, and the purpose and requirement of its performance lies in: showing the style of human existence and the way of self perfection. This is what we should clearly establish the concept of dance culture. So to speak, dance ontology pursuit, first definition should be subordinated to the overall sense of reality and history of peoples lives and the art of aesthetic culture; to create aesthetic rule of dance, first of all should be subordinated to the artistic expression of era, society and human life in the whole law. In other words, the branch system of the large system in the dance art, art master in the world and the life of the artistic nature of the requirements of the premise, and to explore its dance art esthetic creation characteristics and rules. This is obviously, whether it is the creation of the dance, dance criticism scale, must have an aesthetic and historical point of view, should not only follow the rules for the creation of beauty, the art of dance itself to measure, at the same time, but also to study dance choreography and dance works in specific times and social history the environment, to test whether it has reached the ideal aesthetic ideology, authenticity and artistry of the integration of the three, but not to abandon the view of culture, culture and t

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